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The Particular Sadness of Lemon Cake
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The Particular Sadness of Lemon Cake Hardcover - 2010

by Aimee Bender


Summary

The wondrous Aimee Bender conjures the lush and moving story of a girl whose magical gift is really a devastating curse. On the eve of her ninth birthday, unassuming Rose Edelstein, a girl at the periphery of schoolyard games and her distracted parents' attention, bites into her mother's homemade lemon-chocolate cake and discovers she has a magical gift: she can taste her mother's emotions in the cake. She discovers this gift to her horror, for her mother--her cheerful, good-with-crafts, can-do mother--tastes of despair and desperation. Suddenly, and for the rest of her life, food becomes a peril and a threat to Rose. The curse her gift has bestowed is the secret knowledge all families keep hidden--her mother's life outside the home, her father's detachment, her brother's clash with the world. Yet as Rose grows up she learns to harness her gift and becomes aware that there are secrets even her taste buds cannot discern. The Particular Sadness of Lemon Cake is a luminous tale about the enormous difficulty of loving someone fully when you know too much about them. It is heartbreaking and funny, wise and sad, and confirms Aimee Bender's place as "a writer who makes you grateful for the very existence of language" (San Francisco Chronicle). From the Hardcover edition.

From the publisher

The wondrous Aimee Bender conjures the lush and moving story of a girl whose magical gift is really a devastating curse.
On the eve of her ninth birthday, unassuming Rose Edelstein, a girl at the periphery of schoolyard games and her distracted parents' attention, bites into her mother's homemade lemon-chocolate cake and discovers she has a magical gift: she can taste her mother's emotions in the cake. She discovers this gift to her horror, for her mother--her cheerful, good-with-crafts, can-do mother--tastes of despair and desperation. Suddenly, and for the rest of her life, food becomes a peril and a threat to Rose. The curse her gift has bestowed is the secret knowledge all families keep hidden--her mother's life outside the home, her father's detachment, her brother's clash with the world. Yet as Rose grows up she learns to harness her gift and becomes aware that there are secrets even her taste buds cannot discern.
"The Particular Sadness of Lemon Cake" is a luminous tale about the enormous difficulty of loving someone fully when you know too much about them. It is heartbreaking and funny, wise and sad, and confirms Aimee Bender's place as "a writer who makes you grateful for the very existence of language" ("San Francisco Chronicle").

Details

  • Title The Particular Sadness of Lemon Cake
  • Author Aimee Bender
  • Binding Hardcover
  • Edition First Edition
  • Pages 292
  • Volumes 1
  • Language ENG
  • Publisher Doubleday Books, New York
  • Date 2010-06-01
  • ISBN 9780385501125 / 0385501129
  • Weight 0.98 lbs (0.44 kg)
  • Dimensions 8.36 x 5.85 x 1.16 in (21.23 x 14.86 x 2.95 cm)
  • Library of Congress subjects Psychological fiction, Bildungsromans
  • Library of Congress Catalog Number 2009032541
  • Dewey Decimal Code FIC

Excerpt

It happened for the first time on a Tuesday afternoon,
a warm spring day in the flatlands near Hollywood, a light
breeze moving east from the ocean and stirring the black- eyed
pansy petals newly planted in our flower boxes.
My mother was home, baking me a cake. When I tripped up
the walkway, she opened the front door before I could knock.
How about a practice round? she said, leaning past the door
frame. She pulled me in for a hello hug, pressing me close to my
favorite of her aprons, the worn cotton one trimmed in sketches
of twinned red cherries.
On the kitchen counter, she’d set out the ingredients: Flour
bag, sugar box, two brown eggs nestled in the grooves between
tiles. A yellow block of butter blurring at the edges. A shallow
glass bowl of lemon peel. I toured the row. This was the week of
my ninth birthday, and it had been a long day at school of cursive
lessons, which I hated, and playground yelling about point
scoring, and the sunlit kitchen and my warm- eyed mother were
welcome arms, open. I dipped a finger into the wax baggie of
brown- sugar crystals, murmured yes, please, yes.
She said there was about an hour to go, so I pulled out my
1
spelling booklet. Can I help? I asked, spreading out pencils and
papers on the vinyl place mats.
Nah, said Mom, whisking the flour and baking soda
together.
My birthday is in March, and that year it fell during an
especially bright spring week, vivid and clear in the narrow residential
streets where we lived just a handful of blocks south of
Sunset. The night- blooming jasmine that crawled up our neighbor’s
front gate released its heady scent at dusk, and to the north,
the hills rolled charmingly over the horizon, houses tucked into
the brown. Soon, daylight savings time would arrive, and even at
nearly nine, I associated my birthday with the first hint of summer,
with the feeling in classrooms of open windows and lighter
clothing and in a few months no more homework. My hair got
lighter in spring, from light brown to nearly blond, almost like
my mother’s ponytail tassel. In the neighborhood gardens, the
agapanthus plants started to push out their long green robot
stems to open up to soft purples and blues.
Mom was stirring eggs; she was sifting flour. She had one
bowl of chocolate icing set aside, another with rainbow sprinkles.
A cake challenge like this wasn’t a usual afternoon activity;
my mother didn’t bake all that often, but what she enjoyed most
was anything tactile, and this cake was just one in a long line of
recent varied hands- on experiments. In the last six months, she’d
coaxed a strawberry plant into a vine, stitched doilies from vintage
lace, and in a burst of motivation installed an oak side door
in my brother’s bedroom with the help of a hired contractor.

She’d been working as an office administrator, but she didn’t
like copy machines, or work shoes, or computers, and when my
father paid off the last of his law school debt, she asked him if
she could take some time off and learn to do more with her
hands. My hands, she told him, in the hallway, leaning her hips
against his; my hands have had no lessons in anything.
Anything? he’d asked, holding tight to those hands. She
laughed, low. Anything practical, she said.
They were right in the way, in the middle of the hall, as I
was leaping from room to room with a plastic leopard. Excuse
me, I said.
He breathed in her hair, the sweet- smelling thickness of it.
My father usually agreed with her requests, because stamped in
his two- footed stance and jaw was the word Provider, and he
loved her the way a bird- watcher’s heart leaps when he hears the
call of the roseate spoonbill, a fluffy pink wader, calling its lilting
coo- coo from the mangroves. Check, says the bird- watcher.
Sure, said my father, tapping a handful of mail against her back.
Rah, said the leopard, heading back to its lair.
At the kitchen table, I flipped through my workbook, basking
in the clicking sounds of a warming oven. If I felt a hint of anything
unsettling, it was like the sun going swiftly behind a cloud
only to shine straight seconds later. I knew vaguely that my parents
had had an argument the night before, but parents had
arguments all the time, at home and on TV. Plus, I was still busily
going over the bad point scoring from lunch, called by Eddie
Oakley with the freckles, who never called fairly. I read through
my spelling booklet: knack, knick, knot; cartwheel, wheelbarrow,

wheelie. At the counter, Mom poured thick yellow batter into a
greased cake pan, and smoothed the top with the flat end of a
pink plastic spatula. She checked the oven temperature, brushed
a sweaty strand of hair off her forehead with the knob of her
wrist.
Here we go, she said, slipping the cake pan into the oven.
When I looked up, she was rubbing her eyelids with the pads
of her fingertips. She blew me a kiss and said she was going to lie
down for a little bit. Okay, I nodded. Two birds bickered outside.
In my booklet, I picked the person doing a cartwheel and colored
her shoes with red laces, her face a light orange. I made a
vow to bounce the ball harder on the playground, and to bounce
it right into Eddie Oakley’s corner. I added some apples to the
wheelbarrow freehand.
The room filled with the smell of warming butter and sugar
and lemon and eggs, and at five, the timer buzzed and I pulled
out the cake and placed it on the stovetop. The house was quiet.
The bowl of icing was right there on the counter, ready to go,
and cakes are best when just out of the oven, and I really
couldn’t possibly wait, so I reached to the side of the cake pan,
to the least obvious part, and pulled off a small warm spongy
chunk of deep gold. Iced it all over with chocolate. Popped the
whole thing into my mouth.

Media reviews

"Odd and oddly beautiful....moving"--The Washington Post

"Haunting....Bender's prose delivers electric shocks....rendering the world in fresh, unexpected jolts. Moving, fanciful and gorgeously strange"--People Magazine


"Charming and wistful....[Bender] harness[es] her exquisite, bizarre sensitivity, in this haunting examination"-- The Atlantic

Bender is the master of quiet hysteria....She builds pressure sentence by sentence.....the crippling power of empathy"--Los Angeles Times

"[A] transformative narrative....powerful"--San Francisco Chronicle

"
Extraordinary.... a complicated novel with significant emotional heft....The delicacy with which Bender captures Rose’s tastes makes this not just a deeply felt novel but one of the most inventive pieces of food writing in recent memory."--Time Out New York"The fairy-tale elements in her writing, far from seeming outlandish, highlight the everyday nature of her characters' flaws and struggles. In Ms. Bender's stories and novels, relationships and mundane activities take on mythic qualities."--Wall Street Journal

"Bender has guts,,,,Rose is an irresistible narrator: warm, witty and sharply observant....quirky, unpredictable voices will surprise and entertain readers....a superb stylist. While acknowledging the dark, she maintains an exuberant, life-affirming attitude."--Miami Herald

"Plenty of plot surprise, as well as numerous insights into character....beauty of the author's prose, which is both straighforward and unusually sensuous....my guess is that this novel will be one of the year's highlights. Intense and compelling, it explores familial love in an unusually idiosyncratic but nonetheless convincing manner, and I find that I'm still thinking about Rose [the novel's protagonist] days after finishing the book."--Portland Oregonian

"Dreamy....Playful prose....one of the most pleasant books we've read all year"--New York Observer
"A funny, haunting, hurting, coming-of-age story"--Christian Science Monitor

"Original and revealing....unique style--part magic, part clean prose"--Denver Post

"[Bender is] a treasure: a modern fabulist drawn equally to the magic and the realities of contemporary life.....gets the details right....rich and fully alive"--Philadelphia City Paper
"Bender is exceptionally good at what she does.....simultaneously appealing to imagination, emotion, and intellect....the power of her writing lies in the contrast between her spare, measured sentences, and the limitless metaphorical possibilities those sentences describe."---Portland Mercury
 
"Bender spins this tale of magical realism with her familiar darkness....haunting....sticks with the reader long past the final page....moments of quiet brilliance"--Wisconsin State Journal

"One has to admire Bender's originality and her ability to produce stories that make one grateful fro being ordinary."--Detroit Free Press

"[Bender] writes sentences that make the senses take flight....wonderfully strange....dazzling and remarkably precise, both sensual and exacting....makes reality itself magical"-- The Courier-Journal

"wacky stew of alienation and contradiction....unraveling family secrets as strangely lucid as they are nightmarish. At its core, Aimee Bender's novel The Particular Sadness of Lemon Cake encourages us all to make the most of our unique gifts while still finding a way to live in the so-called real world"--O, The Oprah Magazine

"Bender's writing is deep and textured"--Star Tribune

"High-hearted and soulful.... weaves elaborate surreal elements....sets up her central metaphor brilliantly"-- NPR.org

"Taking her very personal brand of pessimistic magical realism to new heights (or depths), Bender's second novel....carreens splendidly through an obstacle course of pathological, fantastical neuroses.....[Bender] emerges as more a spelunker of the human soul....plumbs an emotionally crippled family with power and authenticity....brimming with a zesty, beguiling talent."--Publishers Weekly

Willful Creatures

“[Bender] is Hemingway on an acid trip; her choices are twisted, both ethereal and surprisingly weighty . . . Terrifyingly lovely.” —Los Angeles Times

“To curl up with an Aimee Bender story is to thank heaven you ever learned to read in the first place” —Entertainment Weekly

“New, exciting, harsh, rugged, and unyielding . . . Every sentence in [Willful Creatures] is a fresh surprise.” —Washington Post

An Invisible Sign of My Own

“Intelligent and engaging . . . [A] fanciful and original take on the quietly helter-skelter world that lies within.” —New York Times

“An achingly idiosyncratic story . . . rendered . . . with eloquence, hilarity, and ominous precision.” —Boston Globe

The Girl in the Flammable Skirt
“Makes you grateful for the very existence of language” —San Francisco Chronicle

“From cleverly comic to starkly surreal, Bender’s audacious characters surprise and delight. Sometimes, they even make you weep.” —Boston Globe

About the author

AIMEE BENDER is the author of the novel "An Invisible Sign of My Own" and the collections "The Girl in the Flammable Skirt "and "Willful Creatures." She has received two Pushcart prizes and was nominated for the Tiptree Award in 2005.
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