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We Were the Mulvaneys
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We Were the Mulvaneys Paperback - 2001

by Joyce Carol Oates


Summary

A New York Times Notable Book and a former Oprah Book Club® selection

Moving away from the dark tone of her more recent masterpieces, Joyce Carol Oates turns the tale of a family struggling to cope with its fall from grace into a deeply moving and unforgettable account of the vigor of hope and the power of love to prevail over suffering. The Mulvaneys of High Point Farm in Mt. Ephraim, New York, are a large and fortunate clan, blessed with good looks, abundant charisma, and boundless promise. But over the twenty-five year span of this ambitious novel, the Mulvaneys will slide, almost imperceptibly at first, from the pinnacle of happiness, transformed by the vagaries of fate into a scattered collection of lost and lonely souls. It is the youngest son, Judd, now an adult, who attempts to piece together the fragments of the Mulvaneys' former glory, seeking to uncover and understand the secret violation that occasioned the family's tragic downfall. Each of the Mulvaneys endures some form of exile--physical or spiritual--but in the end they find a way to bridge the chasms that have opened up among them, reuniting in the spirit of love and healing. Profoundly cathartic, Oates' acclaimed novel unfolds as if, in the darkness of the human spirit, she has come upon a source of light at its core. Rarely has a writer made such a startling and inspiring statement about the value of hope and compassion.

From the publisher

An Oprah Book Club(R) selection

A New York Times Notable Book
The Mulvaneys are blessed by all that makes life sweet. But something happens on Valentine's Day, 1976--an incident that is hushed up in the town and never spoken of in the Mulvaney home--that rends the fabric of their family life...with tragic consequences. Years later, the youngest son attempts to piece together the fragments of the Mulvaneys' former glory, seeking to uncover and understand the secret violation that brought about the family's tragic downfall. Profoundly cathartic, this extraordinary novel unfolds as if Oates, in plumbing the darkness of the human spirit, has come upon a source of light at its core. Moving away from the dark tone of her more recent masterpieces, Joyce Carol Oates turns the tale of a family struggling to cope with its fall from grace into a deeply moving and unforgettable account of the vigor of hope and the power of love to prevail over suffering. "It's the novel closest to my heart....I'm deeply moved that Oprah Winfrey has selected this novel for Oprah's Book Club, a family novel presented to Oprah's vast American family."--Joyce Carol Oates

Details

  • Title We Were the Mulvaneys
  • Author Joyce Carol Oates
  • Binding Paperback
  • Edition [ Edition: Repri
  • Pages 464
  • Volumes 1
  • Language ENG
  • Publisher Plume Books, New York, New York, U.S.A.
  • Date 2001-01-24
  • ISBN 9780452282827 / 0452282829
  • Weight 1.16 lbs (0.53 kg)
  • Dimensions 8.77 x 5.96 x 1.22 in (22.28 x 15.14 x 3.10 cm)
  • Ages 18 to UP years
  • Grade levels 13 - UP
  • Themes
    • Topical: Family
  • Library of Congress subjects New York (State), Domestic fiction
  • Library of Congress Catalog Number 96017267
  • Dewey Decimal Code FIC

Excerpt

We were the Mulvaneys, remember us?

You may have thought our family was larger, often I'd meet people who believed we Mulvaneys were a virtual clan, but in fact there were only six of us: my dad who was Michael John Mulvaney, Sr., my mom Corinne, my brothers Mike Jr. and Patrick and my sister Marianne, and me—Judd.

From summer 1955 to spring 1980 when my dad and mom were forced to sell the property there were Mulvaneys at High Point Farm, on the High Point Road seven miles north and east of the small city of Mt. Ephraim in upstate New York, in the Chautauqua Valley approximately seventy miles south of Lake Ontario.

High Point Farm was a well-known property in the Valley, in time to be designated a historical landmark, and "Mulvaney" was a well-known name.

For a long time you envied us, then you pitied us.

For a long time you admired us, then you thought Good!—that's what they deserve.

"Too direct, Judd!"—my mother would say, wringing her hands in discomfort. But I believe in uttering the truth, even if it hurts. Particularly if it hurts.

For all of my childhood as a Mulvaney I was the baby of the family. To be the baby of such a family is to know you're the last little caboose of a long roaring train. They loved me so, when they paid any attention to me at all. I was like a creature dazed and blinded by intense, searing light that might suddenly switch off and leave me in darkness. I couldn't seem to figure out who I was, if I had an actual name, or many names, all of them affectionate and many of them teasing, like "Dimple," "Pretty Boy" or, alternately, "Sourpuss," or "Ranger"—my favourite. I was "Baby" or "Babyface" much of the time while growing up. "Judd" was a name associated with a certain measure of sternness, sobriety, though in fact we Mulvaney children were rarely scolded and even more rarely punished. "Judson Andrew" which is my baptismal name was a name of such dignity and aspiration I never came to feel it could be mine, only something borrowed like a Hallowe'en mask.

You'd get the impression, at least I did, that "Judd" who was "Baby" almost didn't make it. Getting born, I mean. The train had pulled out, the caboose was being rushed to the track. Not that Corinne Mulvaney was so very old when I was born—she was only thirty-three. Which certainly isn't "old" by today's standards. I was born in 1963, the year Dad used to say, with a grim shake of his head, a sick-at-heart look in his eyes, "tore history in two" for Americans. What worried me was I'd come along so belatedly, everyone else was here except me! A complete Mulvaney family without Judd.

Always it seemed, hard as I tried I could never hope to catch up with all their good times, secrets, jokes—their memories. What is a family, after all, except memories?—haphazard and precious as the contents of a catchall drawer in the kitchen (called the "junk drawer" in our household, for good reason). My handicap, I gradually realized, was that by the time I got around to being born, my brother Mike was already ten years old and for children that's equivalent to another generation. Where's Baby?—who's got Baby? the cry would commence, and whoever was nearest would scoop me up and off we'd go. A scramble of dogs barking, exaggerated as animals are often exaggerations of human beings, emotions so rawly exposed. Who's got Baby? Don't forget Baby!

The dogs, cats, horses, even the cars and pickups Dad and Mom drove before I was born, those big flashy-sexy Fifties models—all these I would pore over in Mom's overstuffed snapshot albums, determined to attach myself to their memories. Sure, I remember! Sure, I was there! Mike's first pony Crackerjack who was a sorrel with sand-coloured markings. Our setter Foxy as a puppy. The time Dad ran the tractor into a ditch. The time Mom threw corncobs to scare away strange dogs she believed were threatening the chickens and the dogs turned out to be a black bear and two cubs. The time Dad invited 150 people to Mulvaney's Fourth of July cookout assuming that only about half would show up, and everyone showed up—and a few more. The time a somewhat disreputable friend of Dad's flew over to High Point Farm from an airport in Marsena in a canary-yellow Piper Cub and landed—"Crash-landed, almost," Mom would say dryly—in one of the pastures, and though the baby in the snapshots commemorating this occasion would have to have been my sister Marianne, in July 1960, I was able to convince myself Yes I was there, I remember. I do!

And when in subsequent years they would speak of the incident, recalling the way the wind buffeted the little plane when Wally Parks, my Dad's friend, took Dad up for a brief flight, I was positive I'd been there, I could recall how excited I was, how excited we all were, Mike, Patrick, Marianne and me, and of course Mom, watching as the Piper Cub rose higher and higher shuddering in the wind, grew smaller and smaller with distance until it was no larger than a sparrow hawk, high above the Valley, looking as if a single strong gust of wind could bring it down. And Mom prayed aloud, "God, bring those lunatics back alive and I'll never complain about anything again, I promise. Amen."

I'd swear even now, I'd been there.

For the Mulvaneys were a family in which everything that happened to them was precous and everything that was precious was stored in memory and everyone had a history.

Which is why many of you envied us, I think. Before the events of 1976 when everything came apart for us and was never again put together in quite the same way.

Media reviews

"It will consume you.” --The Washington Post Book World

“New testimony to Oates' great intelligence and dead-on imaginative powers. It is a book that will break your heart, heal it, then break it again every time you think about it.” --Los Angeles Times Book Review

“What keeps us coming back to Oates Country is her uncanny gift of making the page a window, with something happening on the other side that we’d swear was like life itself.” --The New York Times Book Review

“A major achievement that stands with Oates’ finest studies of American life...the novel is a testament to the tenacious bonds of the family, the restorative power of love and capacity to endure and prevail.” --The Chicago Tribune

Citations

  • Entertainment Weekly, 08/22/2014, Page 113

About the author

In addition to many prize-winning and bestselling novels, including We Were the Mulvaneys, A Book of American Martyrs, Black Water, Because It Is Bitter and Because It Is My Heart, and Broke Heart Blues, Joyce Carol Oates is the author of a number of works of gothic fiction including Haunted: Tales of the Grotesque, a World Fantasy Award nominee; and Zombie, winner of the Bram Stoker Award for Best Horror Novel, awarded by the Horror Writers' Association. In 1994, Oates received the Bram Stoker Lifetime Achievement Award in Horror Fiction. She is the editor of American Gothic Tales.
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