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"It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age Hardcover - 2014

by Anthony Slide (Editor); Foreword by Jim Moore


From the publisher

Golden Age Hollywood screenwriter Charles Brackett was an extremely observant and perceptive chronicler of the entertainment industry during its most exciting years. He is best remembered as the writing partner of director Billy Wilder, who once referred to the pair as "the happiest couple in Hollywood," collaborating on such classics as The Lost Weekend (1945) and Sunset Blvd (1950). In this annotated collection of writings taken from dozens of Brackett's unpublished diaries, leading film historian Anthony Slide clarifies Brackett's critical contribution to Wilder's films and Hollywood history while enriching our knowledge of Wilder's achievements in writing, direction, and style. Brackett's diaries re-create the initial meetings of the talent responsible for Ninotchka (1939), Hold Back the Dawn (1941), Ball of Fire (1941), The Major and the Minor (1942), Five Graves to Cairo (1943), The Lost Weekend, and Sunset Blvd, recounting the breakthrough and breakdowns that ultimately forced these collaborators to part ways. Brackett was also a producer, served as president of the Academy of Motion Picture Arts and Sciences and the Screen Writers Guild, was a drama critic for the New Yorker, and became a member of the exclusive literary club, the Algonquin Round Table. Slide provides a rare, front row seat to the Golden Age dealings of Paramount, Universal, MGM, and RKO and the innovations of legendary theater and literary figures, such as Alfred Lunt, Lynn Fontanne, Edna Ferber, and Dorothy Parker. Through Brackett's keen, witty perspective, the political and creative intrigue at the heart of Hollywood's most significant films comes alive, and readers will recognize their reach in the Hollywood industry today.

Details

  • Title "It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age
  • Author Anthony Slide (Editor); Foreword by Jim Moore
  • Binding Hardcover
  • Edition Hardback
  • Pages 448
  • Volumes 1
  • Language ENG
  • Publisher Columbia University Press, New York
  • Date 2014-12
  • Illustrated Yes
  • ISBN 9780231167086 / 0231167083
  • Weight 1.8 lbs (0.82 kg)
  • Dimensions 9.4 x 6.2 x 1.5 in (23.88 x 15.75 x 3.81 cm)
  • Themes
    • Aspects (Academic): Film
  • Library of Congress subjects Motion picture producers and directors -, Screenwriters - United States
  • Library of Congress Catalog Number 2014015801
  • Dewey Decimal Code B

Media reviews

Citations

  • Choice, 07/01/2015, Page 0
  • Library Journal, 10/15/2014, Page 97

About the author

Anthony Slide is the author or editor of more than two hundred books on the history of popular entertainment. He has served as both associate archivist of the American Film Institute and as resident film historian of the Academy of Motion Picture Arts and Sciences. His most recent publications include Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses; Inside the Hollywood Fan Magazines: A History of Star Makers, Fabricators, and Gossip Mongers; and Hollywood Unknowns: A History of Extras, Bit Players, and Stand-Ins.
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NY: Columbia University Press, 2014. 1st. Hardcover. Very Good/Very Good. Hardcover, 448 pages. Golden Age Hollywood screenwriter Charles Brackett was an extremely observant and perceptive chronicler of the entertainment industry during its most exciting years. He is best remembered as the writing partner of director Billy Wilder, who once referred to the pair as "the happiest couple in Hollywood," collaborating on such classics as The Lost Weekend (1945) and Sunset Blvd (1950). In this annotated collection of writings taken from dozens of Brackett's unpublished diaries, leading film historian Anthony Slide clarifies Brackett's critical contribution to Wilder's films and Hollywood history while enriching our knowledge of Wilder's achievements in writing, direction, and style. Brackett's diaries re-create the initial meetings of the talent responsible for Ninotchka (1939), Hold Back the Dawn (1941), Ball of Fire (1941), The Major and the Minor (1942), Five Graves to Cairo (1943), The Lost Weekend,… Read More
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