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A Christmas Carol: Illustrated by Arthur Rackham
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A Christmas Carol: Illustrated by Arthur Rackham Hardcover - 1994

by Charles Dickens; Arthur Rackham (Illustrator)


About this book

The full title of Charles Dickens' most famous work is technically A Christmas Carol in Prose, Being a Ghost-Story of Christmas. This novella was published on December 19, 1843, and the first edition run of 6000 copies were sold out by Christmas Eve of that year.

The publication of the first edition was fraught with complications, and even though the book was received to positive reviews, profits of the book fell far below Dickens' expectations, and the financial strain caused rifts between Dickens and the original publisher, Chapman & Hall.

From the publisher

A gorgeous hardcover edition of the timeless holiday classic, featuring stunning full-color illustrations by Arthur Rackham, with a gilt-stamped cloth cover, acid-free paper, sewn bindings, and a silk ribbon marker. No holiday season is complete without Charles Dickens's dramatic and heartwarming story of the transformation of miserly Ebenezer Scrooge through the efforts of the Ghosts of Christmas Past, Present, and Future. Set on a cold Christmas Eve in Victorian London, and featuring Scrooge's long-suffering and mild-mannered clerk, Bob Cratchit; Bob's kindhearted son, Tiny Tim; and a host of colorful characters, A Christmas Carol was an instant hit and has been beloved ever since by generations of readers of all ages.

From the jacket flap

"Bah Humbug!" That's how Ebeneezer Scrooge feels about Christmas--until the Ghosts of Christmas Past, Present, and Future decide to show the crotchety old miser the error of his ways. Together they travel through time, revisiting all the people who have played an important role in Scrooge's life. And as their journey concludes, Scrooge is reminded of what it means to have love in his heart, and what the true spirit of Christmas is all about. A timeless story the whole family will enjoy!

"From the Trade Paperback edition.

First Edition Identification

The initial publication of A Christmas Carol was challenged by several issues, and those issues are evident in some of the first edition identification notes. The final product of the first edition was printed with a red cloth binding with gilded pages and yellow endpapers. The very first copies were printed with green endpapers, and those copies are exceptionally rare.

The first edition contains four colored illustrations and four black and white illustrations. In the first edition, Stave I is printed with the roman numeral, while later editions spell out the number to be printed as Stave One.

Details

  • Title A Christmas Carol: Illustrated by Arthur Rackham
  • Author Charles Dickens; Arthur Rackham (Illustrator)
  • Binding Hardcover
  • Edition Unknown
  • Pages 180
  • Volumes 1
  • Language ENG
  • Publisher Everyman's Library, New York, New York, U.S.A.
  • Date 1994-09-27
  • Illustrated Yes
  • Features Illustrated
  • ISBN 9780679436393 / 0679436391
  • Weight 0.8 lbs (0.36 kg)
  • Dimensions 8.31 x 6.36 x 0.61 in (21.11 x 16.15 x 1.55 cm)
  • Ages 09 to 12 years
  • Grade levels 4 - 7
  • Reading level 610
  • Themes
    • Holiday: Christmas
  • Library of Congress subjects London (England), Christmas stories
  • Library of Congress Catalog Number 95163031
  • Dewey Decimal Code FIC

Excerpt

MARLEY was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge's name was good upon 'Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.

Mind! I don't mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.

Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don't know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain.

The mention of Marley's funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet's Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul's Churchyard for instance—literally to astonish his son's weak mind.

Scrooge never painted out Old Marley's name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names: it was all the same to him.

Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn't thaw it one degree at Christmas.

External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn't know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often 'came down' handsomely, and Scrooge never did.

Nobody ever stopped him in the street to say, with gladsome looks, 'My dear Scrooge, how are you? when will you come to see me?' No beggars implored him to bestow a trifle, no children asked him what it was 'oclock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blindmen's dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, 'no eye at all is better than an evil eye, dark master!'

But what did Scrooge care? It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call 'nuts' to Scrooge.

Once upon a time—of all the good days in the year, on Christmas Eve—old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside, go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement-stones to warm them. The city clocks had only just gone three, but it was quite dark already: it had not been light all day: and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale.

The door of Scrooge's counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk's fire was so very much smaller that it looked like one coal. But he couldn't replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter, and tried to warm himself at the candle; in which effort, not being a man of a strong imagination, he failed.


From the Paperback edition.

About the author

CHARLES DICKENS (1812-1870) was born in Portsmouth, England, and spent most of his life in London. When he was twelve, his father was sent to debtor's prison and he was forced to work in a boot polish factory, an experience that marked him for life. He became a passionate advocate of social reform and the most popular writer of the Victorian era.
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