The Adventures of Oliver Twist; or, the Parish Boy's Progress (Extra Illustrated) by Dickens, Charles - 1846

London: Smith, Elder & Co, 1858. First edition. First edition. 8vo. 323pp. Original blind-stamped olive green cloth. The first edition of George MacDonald's first story to be published in book form. A fine copy in its original state, finely blind-stamped olive cloth with diamond shaped central blossoms and petal motif, elaborate borders on both covers, spine with gilt stamped leaf emblem and lettering, original yellow endpapers. MacDonald's faerie romance was aimed at an adult audience. The similarities between MacDonald and Lewis Carroll, who published Alice in Wonderland eight years later abound, culminating with Carroll asking MacDonald and his wife to read the draft of Alice. About as fine a copy as ever seen by this enduring and important classic. The copy of Sir Charles Oman (inscribed) ,noted military historian, and later, John Sparrow, English academic and book collector, both bookplates appear at front. In superb custom made chemise and green morocco-backed slipcase.

London: James R. Osgood, McIlvaine and Co, 1891. First Edition. Near Fine. 3 Volumes. First edition, first printing, first issue. Bound in contemporary half-leather binding over marbled paper covered boards, with all edges marbled and marbled endsheets; binder's stamp of Mudie to verso of front free endpaper. Near Fine with light rubbing to bindings, spines slightly sunned, foxing to pages and former owner name to front blank of each volume. A Victorian tripple-Decker in lovely contemporary binding. Although this novel initially received mixed reviews upon publication, it is now considered a major work of 19th-century literature.

The Woman In White (1860 Harper & Brothers 1st Edition) BY WILKIE COLLINS. New York: Harper & Brothers, Publishers, 1860.[2], 260, [4, ads] pp. States 1860 on the title page. In-text illustrations by John McLenan. Publisher's dk. brown stamped heavy cardboard boards with elaborate blind-stamped Harper and Brothers cartouche on front and back boards. Ads state B. Miss Mulock spelled correctly. Ads list eleven titles, and verso advertising The Mill on the Floss [Gasson p. 160.]Used. Good- Condition: Our copy lacks its spine, otherwise in good condition and a good candidate for rebinding. Chocolate brown endpapers are in good shape. Please see our photos. Your offers are welcome here.

88 weekly parts with three frontispieces and numerous wood engravings in the text by George Cattermole, Hablot K. Browne and others. Quarto (10 1/2" x 7") bound in publisher's 88 original pictorial weekly parts in printed white self-wrappers, uncut, housed green cloth slipcase and chemise. ( Eckel, pp. 61-65; Hatton & Cleaver, pp. 161-182) First edition, first issue.
With preliminaries (frontispiece, title-page, and Preface) for the three volume edition present in numbers 26, 52, and 88; addresses by the author in parts 9, 80-83, and 87; a tipped in advertisement to pt. 62 for Chambers's Journal of Literature, Poetry, Biography, and Adventure. Each weekly part was issued as a single folded sheet of 16 pages, 4 of which formed the outer wrapper around 12 numbered pages of letterpress. "Of the four issues the weekly one is difficult to obtain in a clean condition and is therefore the costliest" (Eckel). All 88 parts include front wrappers with an engraved design by George Cattermole which was engraved… Read More

East Hampton, New York:: Barry McCallion,, 2018.. Edition of 3 variants. 13 x 10"; 18 text pages, 9 original linoleum block prints. Handwritten text on beige Rives BFK paper. Lino prints enhanced with acrylic inks and paints. Includes two original carved blocks of the prints adhered to the interior of the box. Signed and numbered by the artist McCallion has handwritten the text of Poe's short story "The Cask of Amontillado". The text is accompanied by McCallion's original artwork. Poe's short story is a revenge plot with the resulting punishment.  McCallion's lino cuts begin with the narrator meeting his "friend" Fortunato on the street at Carnival time. He lures Fortunato to test a cask of Amontillado. Our next image is of the long and winding spiraling staircase that Fortunato descends to the catacombs (the next lino image). The images continue as the fate of Fortunato is revealed. The last image being that of the narrator building a wall… Read More

London: Smith, Elder & Co, 1858. First edition. First edition. 8vo. 323pp. Original blind-stamped olive green cloth. The first edition of George MacDonald's first story to be published in book form. A fine copy in its original state, finely blind-stamped olive cloth with diamond shaped central blossoms and petal motif, elaborate borders on both covers, spine with gilt stamped leaf emblem and lettering, original yellow endpapers. MacDonald's faerie romance was aimed at an adult audience. The similarities between MacDonald and Lewis Carroll, who published Alice in Wonderland eight years later abound, culminating with Carroll asking MacDonald and his wife to read the draft of Alice. About as fine a copy as ever seen by this enduring and important classic. The copy of Sir Charles Oman (inscribed) ,noted military historian, and later, John Sparrow, English academic and book collector, both bookplates appear at front. In superb custom made chemise and green morocco-backed slipcase.

London: James R. Osgood, McIlvaine and Co, 1891. First Edition. Near Fine. 3 Volumes. First edition, first printing, first issue. Bound in contemporary half-leather binding over marbled paper covered boards, with all edges marbled and marbled endsheets; binder's stamp of Mudie to verso of front free endpaper. Near Fine with light rubbing to bindings, spines slightly sunned, foxing to pages and former owner name to front blank of each volume. A Victorian tripple-Decker in lovely contemporary binding. Although this novel initially received mixed reviews upon publication, it is now considered a major work of 19th-century literature.

The Woman In White (1860 Harper & Brothers 1st Edition) BY WILKIE COLLINS. New York: Harper & Brothers, Publishers, 1860.[2], 260, [4, ads] pp. States 1860 on the title page. In-text illustrations by John McLenan. Publisher's dk. brown stamped heavy cardboard boards with elaborate blind-stamped Harper and Brothers cartouche on front and back boards. Ads state B. Miss Mulock spelled correctly. Ads list eleven titles, and verso advertising The Mill on the Floss [Gasson p. 160.]Used. Good- Condition: Our copy lacks its spine, otherwise in good condition and a good candidate for rebinding. Chocolate brown endpapers are in good shape. Please see our photos. Your offers are welcome here.

88 weekly parts with three frontispieces and numerous wood engravings in the text by George Cattermole, Hablot K. Browne and others. Quarto (10 1/2" x 7") bound in publisher's 88 original pictorial weekly parts in printed white self-wrappers, uncut, housed green cloth slipcase and chemise. ( Eckel, pp. 61-65; Hatton & Cleaver, pp. 161-182) First edition, first issue.
With preliminaries (frontispiece, title-page, and Preface) for the three volume edition present in numbers 26, 52, and 88; addresses by the author in parts 9, 80-83, and 87; a tipped in advertisement to pt. 62 for Chambers's Journal of Literature, Poetry, Biography, and Adventure. Each weekly part was issued as a single folded sheet of 16 pages, 4 of which formed the outer wrapper around 12 numbered pages of letterpress. "Of the four issues the weekly one is difficult to obtain in a clean condition and is therefore the costliest" (Eckel). All 88 parts include front wrappers with an engraved design by George Cattermole which was engraved… Read More

East Hampton, New York:: Barry McCallion,, 2018.. Edition of 3 variants. 13 x 10"; 18 text pages, 9 original linoleum block prints. Handwritten text on beige Rives BFK paper. Lino prints enhanced with acrylic inks and paints. Includes two original carved blocks of the prints adhered to the interior of the box. Signed and numbered by the artist McCallion has handwritten the text of Poe's short story "The Cask of Amontillado". The text is accompanied by McCallion's original artwork. Poe's short story is a revenge plot with the resulting punishment.  McCallion's lino cuts begin with the narrator meeting his "friend" Fortunato on the street at Carnival time. He lures Fortunato to test a cask of Amontillado. Our next image is of the long and winding spiraling staircase that Fortunato descends to the catacombs (the next lino image). The images continue as the fate of Fortunato is revealed. The last image being that of the narrator building a wall… Read More