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The Analysis of Film
Stock Photo: Cover May Be Different

The Analysis of Film Soft cover - 2001

by Bellour, Raymond

  • Used
  • near fine
  • Paperback

Description

Indiana University Press, 2001. Soft cover. Near Fine. clean, unmarked copy.
Used - Near Fine
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Murphy-Brookfield Books has been in business in Iowa City, Iowa, since 1980, specializing in scholarly used books in the Humanities. Areas of interest are Philosophy, Women\'s Studies, History, Literary Criticism, University Press.

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Details

  • Title The Analysis of Film
  • Author Bellour, Raymond
  • Binding Soft cover
  • Edition Reprint
  • Condition Used - Near Fine
  • Pages 328
  • Volumes 1
  • Language ENG
  • Publisher Indiana University Press, Bloomington
  • Date 2001
  • Illustrated Yes
  • Features Illustrated
  • Bookseller's Inventory # 366515
  • ISBN 9780253213648 / 0253213649
  • Weight 1.01 lbs (0.46 kg)
  • Dimensions 9.28 x 6.12 x 0.6 in (23.57 x 15.54 x 1.52 cm)
  • Library of Congress subjects Motion pictures - Production and direction, Cinematography
  • Library of Congress Catalog Number 99045486
  • Dewey Decimal Code 791.430

First line

A book is all the more definitely the product of a series of subtractions when it presents itself as the sum of a finite number of elements.

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About the author

Raymond Bellour is Director of Research at the Centre National de la Recherche Scientifique. He is a scholar and writer whose work has been devoted to both literature--especially the Bronts, Dumas, and Michaux--and film--most notably L'Analyse du film, first published in 1979, and several related collections including Le Cinma Amricain and Le Western. Since the early eighties his work has concentrated on mixed media and the relation between words and images. This new focus has resulted in an exhibition, Passages de l'image (1989); a book, L'Entre-Images (1990); and a MOMA catalog, Jean-Luc Godard: Sonimage (1992). In 1991, with Serge Daney, he started the film journal Trafic. Constance Penley is Professor and Chair of Film Studies at the University of California, Santa Barbara. A founding editor of the leading feminist media journal, Camera Obscura, she also edited the influential collection Feminism and Film Theory. Penley has written widely in the fields of film studies, cultural studies, and science studies. Her most recent books are NASA/TREK: Popular Science and Sex in America and The Invisible Woman: Imaging Technologies, Gender, and Science, edited with Paula Treichler and Lisa Cartwright.