Skip to content

The Angel's Cry: Beyond the Pleasure Principle in Opera

The Angel's Cry: Beyond the Pleasure Principle in Opera Hardback - 1992

by Michel Poizat

  • New
  • Hardcover

Description

Hardback. New. What is it about opera that can bring unashamed tears to the eyes of adoring fans? In this book, first published in French in 1986 and now available in English, Michel Poizat explains in a charming way the fascination of the interaction between music...
New
NZ$118.78
NZ$20.86 Shipping to USA
Standard delivery: 14 to 21 days
More Shipping Options
Ships from The Saint Bookstore (Merseyside, United Kingdom)

About The Saint Bookstore Merseyside, United Kingdom

Biblio member since 2018
Seller rating: This seller has earned a 5 of 5 Stars rating from Biblio customers.

The Saint Bookstore specialises in hard to find titles & also offers delivery worldwide for reasonable rates.

Terms of Sale: Refunds or Returns: A full refund of the price paid will be given if returned within 30 days in undamaged condition. If the product is faulty, we may send a replacement.

Browse books from The Saint Bookstore

Details

  • Title The Angel's Cry: Beyond the Pleasure Principle in Opera
  • Author Michel Poizat
  • Binding Hardback
  • Edition First Edition
  • Condition New
  • Pages 240
  • Volumes 1
  • Language ENG
  • Publisher Cornell University Press, Ithaca, New York, U.S.A.
  • Date 1992-07-15
  • Features Dust Cover
  • Bookseller's Inventory # A9780801423888
  • ISBN 9780801423888 / 0801423880
  • Weight 0.94 lbs (0.43 kg)
  • Dimensions 8.6 x 5.81 x 0.91 in (21.84 x 14.76 x 2.31 cm)
  • Ages 18 to UP years
  • Grade levels 13 - UP
  • Library of Congress subjects Opera
  • Library of Congress Catalog Number 91055532
  • Dewey Decimal Code 782.1

From the rear cover

Is "passion" too strong a word to describe what drives people to stand outdoors for a dozen hours or more, regardless of the weather, to purchase fold-out seats behind the upper-tier boxes for a performance of Tristan und Isolde? Not at all, says Michel Poizat, who here guides his readers on a voyage to discover why opera rewards its devotees with such profound pleasure, mingled with equally powerful feelings of horror and loss. His fascinating book, first published in French in 1986, is now available in Arthur Denner's fluid and sensitive English translation. Predictably, Poizat's route is not at all a conventional one. Rather than taking as his point of departure the intentions of composers and librettists, he is primarily concerned with the expectations and desires of the audience. He reports on an informal group interview with overnight standees on the Paris Opera House steps as they compare notes on how opera became an addiction. They are there for a "fix", they agree. How, Poizat asks, does this "monstrous phenomenon", which stretches its interpreters to their absolute limits, captivate its audience, making them oblivious of hard seats or overheated halls and eliciting copious and unashamed tears? Poizat sees the history of opera in terms of the evolution of the voice from song to cry, from verbal expressions of emotion to such wordless outbursts as Lulu's final scream at the end of Alban Berg's opera. Calling on the insights and methods of Lacanian psychoanalysis, he distinguishes mere pleasure from jouissance--pleasure being the joy experienced when one's expectations are satisfied, and jouissance, the climactic high beyond self-control. For Poizat, the quarrel between Gluckistsand Piccinists, the disputes among composers as to which is more important, "le parole" or "la musica", become examples that demonstrate or underscore the differences between pleasure and jouissance. What is the sound of the angel's cry? Poizat believes that the voice-object stands for that which is irrevocably lost. Hence our fascination with castrati, whose voice-type will never again be heard. He discusses the role of this high, sexless "angel" voice in the Mozarabic church, as well as the gender confusions of baroque opera and the shift, originating with Mozart, of the angel-voice from male to female performers. Startling in its observations, The Angel's Cry is both daring and playful. It will surprise and delight any opera aficionado, and other lovers of music will also find it wonderfully enlightening.

Categories

Media reviews

Citations

  • Library Journal, 05/01/1992, Page 0