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Animals in Motion (Dover Anatomy for Artists)
Stock Photo: Cover May Be Different

Animals in Motion (Dover Anatomy for Artists) Hardcover - 1957

by Muybridge, Eadweard

  • Used

Description

UsedAcceptable. Cover/Case has some rubbing and edgewear. Access codes, CD's, slipcovers and other accessories may not be included.
UsedAcceptable
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Details

  • Title Animals in Motion (Dover Anatomy for Artists)
  • Author Muybridge, Eadweard
  • Binding Hardcover
  • Edition Reprint
  • Condition UsedAcceptable
  • Pages 416
  • Volumes 1
  • Language ENG
  • Publisher Dover Publications, New York
  • Date 1957-06-01
  • Illustrated Yes
  • Features Illustrated
  • Bookseller's Inventory # 2Y6OIV006DAI_ns
  • ISBN 9780486202037 / 0486202038
  • Weight 3.05 lbs (1.38 kg)
  • Dimensions 11.08 x 8.27 x 1.08 in (28.14 x 21.01 x 2.74 cm)
  • Library of Congress subjects Human locomotion - Pictorial works, Animal locomotion - Pictorial works
  • Library of Congress Catalog Number 57004552
  • Dewey Decimal Code 612.767

From the rear cover

"The dry plate's most spectacular early use was by Eadweard Muybridge."--Life
"A really marvelous series of plates."--Nature (London)
"These photographs have resolved many complicated questions."--Art Journal
Here is the largest, most comprehensive selection of Muybridge's famous animal photos--more than 4,000 high-speed shots of 34 different animals and birds, in 123 different types of actions. Animals are shown walking, running, leaping, flying--in typical actions. The horse alone is shown in more than 40 different ways: galloping with nude rider, trotting, pacing with sulky, cantering, jumping hurdles, carrying, rolling on barrels, and 36 other actions. All photos taken against ruled backgrounds; most actions taken from 3 angles at once: 90 degrees, 60 degrees, rear. Foreshortened views are included.
These are true action photos, stopped in series, taken at speeds up to 1/2000th of a second. Actions are illustrated in series, with as many as 50 shots per action. Muybridge worked with the University of Pennsylvania for three years, made more than 100,000 exposures, and spent more than $50,000. His work has never been superseded as a lifetime reference for animators, illustrators, artists, and art directors.

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