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Art Nouveau: An Anthology of Design and Illustration from The Studio

Art Nouveau: An Anthology of Design and Illustration from The Studio Paperback - 1969

by Gillon, Edmund Vincent

  • Used
  • very good
  • Paperback

Description

New York: Dover Publications, Inc., 1969. 89 pages, (chiefly illustrations); 28 cm. Near fine. Firm binding, clean inside copy. Age toning. Another copy available. Clip-Art book unused & intact. Verified upon shipping. "The Studio magazine was the foremost source of Art Nouveau in England at the turn of the century and featured illustrations by such artists as Beardsley, Crane, Bradley, and others. Here are 199 of the best graphic art specimens including: posters, cards, borders, frames, and much more." - Publisher.. Paperback. Very Good. 4to.
Used - Very Good
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Details

  • Title Art Nouveau: An Anthology of Design and Illustration from The Studio
  • Author Gillon, Edmund Vincent
  • Binding Paperback
  • Edition Revised
  • Condition Used - Very Good
  • Pages 96
  • Volumes 1
  • Language ENG
  • Publisher Dover Publications, Inc., New York
  • Date 1969
  • Illustrated Yes
  • Features Illustrated
  • Bookseller's Inventory # 099227
  • ISBN 9780486223889 / 0486223884
  • Weight 0.59 lbs (0.27 kg)
  • Dimensions 10.96 x 7.99 x 0.28 in (27.84 x 20.29 x 0.71 cm)
  • Library of Congress subjects Art nouveau
  • Library of Congress Catalog Number 73082624
  • Dewey Decimal Code 709.034

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From the rear cover

In its early years, The Studio (published monthly in London from April 1893 until well into the twentieth century) was one of the major media for the development of Art Nouveau styles. It was probably more responsible than any other publication for the acceptance of Art Nouveau by the public, and as it progressed it remained the most outstanding vehicle of Art Nouveau illustration. It also had a tremendous influence on American artists and illustrators of the period. In addition to art competitions, featured articles on contemporary artists and on topics like photography, and portfolios of the work of new and unknown artists, it presented over a period of years a superb and comprehensive survey of Art Nouveau illustration by virtually every British and Continental artist of the period.
The selection in this volume includes both the best and the most typical in Art Nouveau. The 199 illustrations are mostly graphic arts material: book covers, posters and advertisements, title pages and end pages, bookplates, menus, Christmas cards, decorative alphabets, engraved and decorated poems, and a variety of designs and patterns. The artists include Walter Crane, Aubrey Beardsley, Will Bradley, A. A. Turbayne, Enid Jackson, R. Anning Bell, R. M. Bradley, Jessie King, Mabel Syrett, J. D. Batten, and many others. Although the book is intended primarily to be a file for commercial artists and designers, it serves the less specialized reader admirably as a survey of the various graphic styles of Art Nouveau.
Dover Original.

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