About Better World Books Indiana, United States
Biblio member since 2005
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Better World Books is the world's leading socially conscious online bookseller and has sold over 100 million books. Each sale generates funds for global literacy and education initiatives. We offer low prices, fast shipping, and have a 100% money back guarantee, if you are not completely satisfied.
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Better World Books wants every single one of its customers to be happy with their purchase. If you are not satisfied your purchase or simply find out that it was not the book you were looking for, please e-mail us at: help@betterworldbooks.com. We will get back to you as soon as possible with directions on how to return the book to our warehouse. Please keep in mind that because we deal mostly in used books, any extra components, such as CDs or access codes, are usually not included. CDs: If the book does include a CD, it will be noted in the book's description ("With CD!"). Otherwise, there is no CD included, even if the term is used in the book's title. Access Codes: Unless the book is described as "New," please assume that the book does *not* have an access code.
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From the rear cover
Ava Klein, thirty-nine, lover of life, world traveler, professor of comparative literature, is dying. From her hospital bed on this, her last day on earth, she makes one final ecstatic voyage. People, places, offhand memories, and imaginary things drift in and out of Ava's consciousness and weave their way through the narrative. The voices of her three former husbands emerge: Francesco, a filmmaker from Rome; Anatole, lost in the air over France; Carlos, a teenager from Granada. The ways people she loved expressed themselves in letters or at the beach or at the moment of desire return to her. There is Danilo, her current lover, a Czech novelist, and others, lovers of one night, as she sings the endless, joyous, erotic song cycles of her life, because "Dusk and the moment right before shapes are taken back is erotic. And the dark". The voices of her literary loves as well are woven into the narrative: Woolf, Eliot, Nabokov, Beckett, Sarraute, Lorca, Frisch, among others. These writers comment on and help guide us through the text. We hear the voices of her parents, who survived the Treblinka death camp, and of her Aunt Sophie, who did not. War permeates the text, for on Ava Klein's last day Iraq has invaded Kuwait. And above all we hear Ava's voice. Hers is the voice of pleasure, of astonishment, the voice of regret, the voice of gratitude as she moves closer and closer to the "music that is silence". Ava is an attempt, in the words of French feminist philosopher Helene Cixous, "to come up with a language that heals as much as it separates". The fragments of the novel are combined to make a new kind of wholeness, allowing environments, states of mind, and rhythms not ordinarilyassociated with fiction to emerge. Ava's theme is the poignancy of mortality, the extraordinary desire to live, the inevitability of death - the things never done, never understood, the things never said, or said right, or said enough. Ava yearns and the reader yearns with her, struggling to hold on to all that slips away. "I came to celebrate. I came to praise", Ava says, and on every page she does just that - marveling at the mystery of her precious, disappearing life: the pressure of the tide, the sea-soaked steps, wild roses and rose hips, the finches at the feeder, the way the swing swung. "We took the overnight train", she says. "You kissed me everywhere. A beautiful, passing landscape. Imagined in the dark".
