Skip to content

Baila, Nana, Baila : Cuban Folktales in English and Spanish

Baila, Nana, Baila : Cuban Folktales in English and Spanish Hardcover - 2008

by Joe Hayes

  • Used
  • Good
  • Hardcover

Description

Cinco Puntos Press, 2008. Hardcover. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
Used - Good
NZ$27.16
FREE Shipping to USA Standard delivery: 4 to 8 days
More Shipping Options
Ships from ThriftBooks (Washington, United States)

Details

  • Title Baila, Nana, Baila : Cuban Folktales in English and Spanish
  • Author Joe Hayes
  • Binding Hardcover
  • Edition Bilingual
  • Condition Used - Good
  • Pages 96
  • Volumes 1
  • Language SPA
  • Publisher Cinco Puntos Press, El Paso
  • Date 2008
  • Illustrated Yes
  • Bookseller's Inventory # G1933693177I3N10
  • ISBN 9781933693170 / 1933693177
  • Weight 1.62 lbs (0.73 kg)
  • Dimensions 10.9 x 9 x 0.6 in (27.69 x 22.86 x 1.52 cm)
  • Ages 08 to 12 years
  • Grade levels 3 - 7
  • Library of Congress subjects Spanish language materials - Bilingual, Folklore - Cuba
  • Library of Congress Catalog Number 2007038295
  • Dewey Decimal Code FIC

About ThriftBooks Washington, United States

Biblio member since 2018
Seller rating: This seller has earned a 4 of 5 Stars rating from Biblio customers.

From the largest selection of used titles, we put quality, affordable books into the hands of readers

Terms of Sale: 30 day return guarantee, with full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged.

Browse books from ThriftBooks

About the author

Joe Hayes is one of America's premier storytellers. He grew up in a small town in southern Arizona where he learned Spanish from his classmates. As he got older, Joe began gathering old stories from the Southwest. Joe has earned a distinctive role as a bilingual storyteller. Mauricio Trenard was born in Santiago de Cuba in 1963. He was raised in a home that was closely linked with art, surrounded by clay objects: plaster figures, broken molds, as well as the artistic debates sustained by the various artists and art history professors in his family. Mauricio came to the United States in 2000.