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Beautiful Monsters: Imagining the Classic in Musical Media (Volume 10)
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Beautiful Monsters: Imagining the Classic in Musical Media (Volume 10) Paperback - 2008 - 1st Edition

by Long, Michael

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Details

  • Title Beautiful Monsters: Imagining the Classic in Musical Media (Volume 10)
  • Author Long, Michael
  • Binding Paperback
  • Edition number 1st
  • Edition 1
  • Condition Used - Good
  • Pages 328
  • Volumes 1
  • Language ENG
  • Publisher University of California Press, U.S.A.
  • Date 2008-10-02
  • Features Bibliography, Index, Table of Contents
  • Bookseller's Inventory # 0520257200.G
  • ISBN 9780520257207 / 0520257200
  • Weight 0.95 lbs (0.43 kg)
  • Dimensions 8.9 x 6 x 0.9 in (22.61 x 15.24 x 2.29 cm)
  • Library of Congress subjects Motion picture music - History and criticism, Popular music - History and criticism
  • Library of Congress Catalog Number 2007051009
  • Dewey Decimal Code 781.68

From the publisher

Beautiful Monsters explores the ways in which "classical" music made its way into late twentieth-century American mainstream culture-in pop songs, movie scores, and print media. Beginning in the 1960s, Michael Long's entertaining and illuminating book surveys a complex cultural field and draws connections between "classical music" (as the phrase is understood in the United States) and selected "monster hits" of popular music. Addressing such wide-ranging subjects as surf music, Yiddish theater, Hollywood film scores, Freddie Mercury, Alfred Hitchcock, psychedelia, rap, disco, and video games, Long proposes a holistic musicology in which disparate musical elements might be brought together in dynamic and humane conversation. Beautiful Monsters brilliantly considers the ways in which critical commonplaces like nostalgia, sentiment, triviality, and excess might be applied with greater nuance to musical media and media reception. It takes into account twentieth-century media's capacity to suggest visual and acoustical depth and the redemptive possibilities that lie beyond the surface elements of filmic narrative or musical style, showing us what a truly global view of late twentieth-century music in its manifold cultural and social contexts might be like.

From the rear cover

"A virtuoso performance. In this work of vastly erudite cultural imagination, Long both dazzles and illuminates. He has fashioned, in elegant prose, a thrilling mosaic of critical interpretation, one that is assured a central place on the leading edge of music scholarship."--Albin Zak, author of The Poetics of Rock: Cutting Tracks Making Records

Media reviews

Citations

  • Choice, 02/01/2009, Page 0
  • Chronicle of Higher Education, 10/10/2008, Page 21

About the author

Michael Long is Associate Professor of Musicology at the University at Buffalo, State University of New York.