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Black Like You: Blackface, Whiteface, Insult & Imitation in American Popular
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Black Like You: Blackface, Whiteface, Insult & Imitation in American Popular Culture Hardcover - 2006

by John Strausbaugh

  • Used
  • Good
  • Hardcover

A refreshingly clearheaded and taboo-breaking look at race in America reveals our culture as neither Black nor White nor Other, but a mix-a mongrel.

Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is the author's ability to tackle blackface--a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Strausbaugh shows that, nevertheless, its impact has been deep and longlasting. The influence of blackface can be seen in rock and roll and hip-hop; in vaudeville, Broadway, and drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and Hollywood's 2004 White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak.

With remarkable common sense and clarity, Strausbaugh candidly illuminates truths about race rarely discussed in public, including:

- American culture neither conforms to knee-jerk racism nor to political correctness. It is neither Black nor White nor Other, but a mix-a mongrel.
- No history is best forgotten-however uncomfortable it may be to remember. The power of blackface to enrage and mortify Americans to this day is reason enough to examine what it still tells us about our culture and ourselves.
- Blackface is still alive. Its impact and derivations- including Black performers in "whiteface"-can be seen all around us.

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Details

  • Title Black Like You: Blackface, Whiteface, Insult & Imitation in American Popular Culture
  • Author John Strausbaugh
  • Binding Hardcover
  • Edition First Edition
  • Condition Used - Good
  • Pages 370
  • Volumes 1
  • Language ENG
  • Publisher Tarcher, New York
  • Date June 15, 2006
  • Illustrated Yes
  • Bookseller's Inventory # 1585424986.G
  • ISBN 9781585424986 / 1585424986
  • Weight 1.06 lbs (0.48 kg)
  • Dimensions 8.46 x 6.48 x 1.28 in (21.49 x 16.46 x 3.25 cm)
  • Ages 18 to UP years
  • Grade levels 13 - UP
  • Library of Congress subjects Popular culture - United States, United States - Race relations
  • Library of Congress Catalog Number 2006040940
  • Dewey Decimal Code 305.896

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Summary

A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel.Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh's eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak.Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision:- American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel.- No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in "whiteface"-can be seen all around us today.

First line

It was brutally cold on the streets of lower Manhattan the night of February 14, 2004.