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Breathless Days, 1959-1960

Breathless Days, 1959-1960 Hardback - 2017

by Serge Guilbaut

  • New
  • Hardcover

Description

Hardback. New. Providing heterogeneous accounts of the intersections between the fine art world with literature, jazz, film, and theater in New York, Paris, Milan, Brazil, and Cuba between 1959 and 1960, the contributors show this period to be pivotal in the culture and politics of Western Europe and the Americas.
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Details

  • Title Breathless Days, 1959-1960
  • Author Serge Guilbaut
  • Binding Hardback
  • Condition New
  • Pages 352
  • Volumes 1
  • Language ENG
  • Publisher Duke University Press
  • Date 2017-02-03
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • Bookseller's Inventory # A9780822360230
  • ISBN 9780822360230 / 0822360233
  • Weight 1.3 lbs (0.59 kg)
  • Dimensions 9.3 x 6.1 x 0.9 in (23.62 x 15.49 x 2.29 cm)
  • Library of Congress subjects Arts, Modern - 20th century, Arts and society - History - 20th century
  • Library of Congress Catalog Number 2016033436
  • Dewey Decimal Code 709.04

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From the publisher

Taking 1959-1960 as a pivotal cultural and political moment, the contributors to Breathless Days reframe postwar Western art history, examining the aesthetic and ideological alliances and tensions in art throughout Western Europe and the Americas. The collection provides a heterogeneous account of the intersections of the fine art world with literature, jazz, film, and theater in New York, Paris, Milan, Brazil, and Cuba. This reveals the knotty and multilayered connections among these divergent artistic milieus. Whether discussing Duchamp's With My Tongue in My Cheek, Brazilian abstraction, postrevolutionary Cuban art, Jean Tinguely's self-destroying machines, or Burroughs's Naked Lunch, the contributors show this brief period to be a key to the cultural and political development of Western Europe and the Americas during the Cold War.
Contributors. Carla Benzan, Clint Burnham, Jill Carrick, Eric de Chassey, Mari Dumett, Serge Guilbaut, Luc Lang, Hadrien Laroche, Aleca Le Blanc, Richard Leeman, Tom McDonough, Regis Michel, John O'Brian, Kjetil Rodje, Ludovic Tourns, Antonio Eligio (Tonel)

About the author

Serge Guilbaut is Professor Emeritus of Art History at the University of British Columbia and the author and editor of several books, including How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. John O'Brian is Professor of Art History and Faculty Associate of the Peter Wall Institute for Advanced Studies at the University of British Columbia and the author and editor of several books, most recently, Camera Atomica.