British Photography from the Thatcher Years by Kismaric, Susan - 1990

[New York: The Intimate Gallery (?), post 28 November 1923].. Quarto broadsheet (28 x 21.7cm), text printed on recto and verso in double columns. Very good to near fine. An off-printing of Muir's article from THE AMATEUR PHOTOGRAPHER (London, 28 Nov. 1923), produced for promotional purposes by Stieglitz, probably during the Intimate Gallery years.

Weimar, Germany: ACC Galerie Weimar, 1995. Catalog Edition. Hardcover. Very Good. William Wegman. Very Good. Very scarce, small format catalog of a unique W. Wegman exhibition in a gallery in Weimar, Germany (birthplace of the Weimaraner) in 1995. Only 1500 printed! Ships from Hawaii. I also have the poster of the exhibition. Ask if you are interested.

NEW ~ Museum catalogue from exhibit at the Museo Nacional de Culturas Populares in Coyoacan, Mexico, documenting nineteenth-century industries in Mexico. Eleven essays cover mining, manufacturing, transportation, and the like, with accompanying photographs and bibliographies. Introduction by Victoria Novelo. The essays cover the historical background of each topic -- glass, textile, and paper factories, mining, railroads, electricity, iron works, sugar mills, and more; poignant black-and-white photographs document abandoned machinery, ruined and overgrown factories. 274pp. Ilus. Minor shelf wear, scuffed cover. NOTE: Beware of dealers ignorant of the binding of their books.

Self Published, 2008, Fine Hardcover / Very Good Dustjacket, 136 pages, 8.75" x 12", edgewear on slightly rubbed dustjacket, otherwise clean and tight.

New York: Hyperion, 1993. Signed by William Wegman, dated '94, with a drawing of a dog on the half-title page, First edition / First printing. Red paper-covered boards. Very fine in very fine dust jacket.

First Edition. Very Good +/Fair. 1982. 1st printing, NEW YORK GRAPHIC SOCIETY. Photographs by William Albert Allard. Foreword by Thomas McGuane Little Brown & Co: Boston, (1982). Oblong quarto, blue denim cloth, in a dust wrapper, price cut, with one tear and a little worn. 144 pages, beautifully illustrated in full colour. A very good plus copy with the extra photographic process colour print laid in as issued. POSTAGE WITH TRACKING via French Post DELIVENGO

New York: Rizzoli International Publications, Inc., 1993. BOOK: Corners, Boards Bumped; Moderate Shelf Rub to Boards; Edges Lightly Soiled. DUST JACKET: Repaired; Lightly Creased; Lightly Chipped; In Archival Quality Jacket Cover. SELLER'S NOTE TO INTERNATIONAL (NON CANADA OR USA) BUYERS: Additional shipping charges will be required and requested during the purchase process of this title. SYNOPSIS: Cindy Sherman is unquestionably one of the most significant artists working today. Her career and her art embody two of the most important developments in art of the last decade: the impact of postmodern thinking on the art world and the rise of photography and its mass-media techniques as a powerful means of expression for fine artists. In this first presentation of the artist's complete work, leading contemporary art historian Rosalind Krauss reviews Cindy Sherman's remarkable series of photographic works - in which the artist has notoriously assumed various roles, from B-movie starlet to Old… Read More

Book with all pages present, without creases/tears. Worn outer cover. Owner's signature covered in black pen on second title page (does not affect content). 216 pages, 21.8 x 29 x 2.7 cm / 5.24 x 0.98 x 8.46 inches This new collection of Peter Lindbergh's photographs presents his work from the past ten years. The prolific fashion and portrait photographer is one of the leading commercial artists of our day. His special subject are women.

Signed copy. Light tanning to pages edges, not affecting text or content.No tears/marks on either binding or paper. ///Published in Welsh and English in an edition of 850

Stated First Edition, first printing (number line contains "1").
Book cover like new, very slight edge wear - pages clean, bright and unmarked – spine like new.
Jacket like new, slight shelf wear.
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This first comprehensive monograph in English for Mexico's first major female photographer tracks a career equally exceptional for its remarkable range and for its compelling quality. Lola Alvarez Bravo explored her calling through photojournalism, commercial work and professional portrait-making, even as she was creating intensely personal images of people, places and things throughout her native Mexico. In addition, she played a vital role in the Mexican cultural scene as an inspiring teacher, a friend of innumerable artists (many of whom she photographed), and as the owner of a prestigious gallery that presented the first solo show by her friend Frida Kahlo, the subject of some of Alvarez… Read More