CAMERA IN A ROOM PB (Photographers at Work) by ABELARDO, MORELL

Smithsonian, 1995-08-17. Paperback. Good. 9x8x0.

Smithsonian, 1995. Softcover. Very good/No jacket. Light edgewear.

Washington - London: Smithsonian Inst Press. 62pp. A Smithsonian Series. Size: 4to - over 9¾" - 12" Tall M6 . Very Good. Paperback. First Edition.. 1994.

Smithsonian. Fine. 1995. 1st Edition. Paperback. 62 pp; Very nice clean tight and attractive book .

Smithsonian, 1995-08-17. Paperback. Good.

Washington DC: The Smithsonian Institution, 1995. First edition, as stated. Paperback. Near Fine. 8 x 10 in. Heavy paper wraps. Lavish B&W phot plates. Condition is NEAR FINE ; slight shelf wear, otherwise like new. Photo. Stax.

new oversixze pb, expedited and international shipping not available--MOST

Washington, D.C.: Smithsonian Institution Press/Constant Sullivan Editions, 1995. First Edition, First Thus . Soft cover. NEW - COLLECTIBLE/None as Issued. Abelardo Morell (Photographer). BRAND NEW & COLLECTIBLE w/trace soil spots to front lower edge of softcover. Stated First Edition. COVER ART: "Camera Obscura Image of the Empire State Building in Bedroom"; 1994.Frontispiece: "My Camera & Me". Cuban-born photographer Abelardo (Abe) Morell (1948 -), Professor Emeritus at the Massachusetts College of Art, is noted for his use of the camera obscura, or pin-hole photography. His works are represented by Bonni Benrubi Gallery; collection in this volume courtesy of the Gallery. Morell has shot his photographs, since 1986, with a 6X7 Fujica and a 4x5 Toyo view camera mounted with a 150, or 90mm, wide-angle lens. He uses Tri-X film and prints on Llford multi-grade paper.

Washington : Smithsonian Institution Press, 1995. First Edition. Softcover. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 62 p. : ill. ; 26 cm. Subjects; Morell, Abelardo. Photography, Artistic.

Washington, D.C.: Smithsonian Institution Press, 1995. First edition. Softcover. First printing. 62 pages. Part of the Photographers at Work series. Features an essay by Richard Woodward along with the text of his interview with Morrell. Includes 30 black and white images. A very near fine copy in wrappers. Signed and inscribed by Morell on the title page. Uncommon thus.