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Cavaille-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger
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Cavaille-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All Paperback - 2013

by Ronald Ebrecht

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Details

  • Title Cavaille-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All
  • Binding Paperback
  • Edition Reprint
  • Condition New
  • Pages 238
  • Volumes 1
  • Language ENG
  • Publisher Lexington Books
  • Date 2013-06-07
  • Features Bibliography, Index, Table of Contents
  • Bookseller's Inventory # 0739184393_used
  • ISBN 9780739184394 / 0739184393
  • Weight 1.05 lbs (0.48 kg)
  • Dimensions 9.9 x 6.9 x 0.8 in (25.15 x 17.53 x 2.03 cm)
  • Themes
    • Cultural Region: Italy
    • Cultural Region: Western Europe
    • Religious Orientation: Christian
  • Dewey Decimal Code 786.519

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From the publisher

Aristide Cavaill-Coll (1811-1899) is often referred to as the greatest organ builder of all time. The pipe-organ, being the most complicated musical instrument mechanically and tonally, as well as the most expensive, adds significantly to that world's greatest designation. The talents required to be such a person range far from music-making to advanced physics, architecture, and engineering. That, plus the obvious knack to raise vast sums of money. Cavaill-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All, by Ronald Ebrecht, is the story of the quest to build the largest-ever mechanical-action organ in the biggest church at the time. Cavaill-Coll's model for that organ and the book he wrote outlining his proposal are the core of Ebrecht's discussion. Cavaill-Coll bestrode a century as well as an art-form. His century complicated the project with the most intricate, intractable problems. Saint-Peter's Square, now a part of the Vatican City State, was then part of the newly-united Italy, which had just deposed the pope as ruler of the center of Italy and taken the papal lands. The east end of the basilica facing the square and the Tiber became a much disputed boundary. It was a part of the Italian state so hotly contested that the Italian Republicans would not accept the concept of an organ hanged from the basilica wall, lest it shift. Before, or since, has the music sphere ever provoked such a question that could bring nations to swords?

About the author

Ronald Ebrecht is Artist in Residence and University Organist at Wesleyan University.