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Celtic Modern: Music at the Global Fringe
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Celtic Modern: Music at the Global Fringe Hardcover - 2003

by Stokes, Martin (Editor)/ Bohlman, Philip V. (Editor)

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Scarecrow Pr, 2003. Hardcover. New. 288 pages. 8.75x5.50x1.00 inches.
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From the publisher

This resource offers an opportunity to reflect critically on some of the insistent 'othering' that has accompanied much cultural production in and on the Celtic World, and that have prohibited serious critical engagement with what are sometimes described as the 'traditional' and 'folk' music of Europe.

Media reviews

Citations

  • Choice, 04/01/2004, Page 1478

About the author

Martin Stokes is Associate Professor of Music and also the College Lecturer in Social Anthropology and Ethnomusicology at the University of Chicago. He has won the Leverhulme Trust award, the Curl Lectureship from London's Royal Anthropological Institute, a fellowship from the Howard Foundation, and a residential fellowship from the Franke Humanities Institute at the University of Chicago.

Philip V. Bohlman is the Mary Werkam Professor of Music and Jewish Studies, and of the Humanities at the University of Chicago, where he is also chair of Jewish Studies. His research and publications cover a wide range of topics, from folk and popular music in Europe and North America, music and religion, the Middle East, and the intersections of music with nationalism and racism. Among his most recent publications are World Music: A Very Short Introduction (2002), The Folk Songs of Ashkenaz (with Otto Holzapfel, 2001), and Music and the Racial Imagination (coedited with Ronald Radano, 2000). The Music of European Nationalism: Political Change and Modern History is forthcoming.