CHIRICO : AVEC DES FRAGMENTS LITTERAIRES DE L'ARTISTE by George, Waldemar - Chirico, Giorgio de - 1928

Vinegia: Vincenzo Vaugris. [Architettura-Prima edizione] (cm.16,5) ottima piena pergamena sec. XVIII. Titolo calligrafato al dorso.-- cc. 12 nn., (di cui l' ultima bianca), cc. 248, c. 1 con la marca tipografica. La dedica del traduttore Pietro Lauro Modenese è a Bonifacio Bevilacqua. prima edizione in qualsiasi lingua moderna e prima traduzione italiana di questo capolavoro dell' architettura rinascimentale. L' Editio Princeps del " De Re Aedificatoria " apparve nel 1485 a Firenze e ripropone in dieci libri la struttura del testo di Vitruvio. I primi tre libri riguardano il progetto e l' esecuzione; nel 4° e 5° si esaminano le grandi opere come città, ponti ecc. Nell' 8° e 9° si gtratta dell' apparato ornamentale, nel 10° si tratta di restauro e idraulica. Opera fondamentale non solo per l' architettura ma anche per il pensiero rinascimentale nel suo insieme. Qualche lieve traccia di polvere alla prima e ultima carta, altrimenti… Read More

Framed and authenticated by Charles Hamilton with his seal affixed to the backing paper. Felt-lined frame with raised platform for the note and recessed Georges Lay bronze medal of Renoir above. Note shows adhesive bleed at corners; medal has been paper-taped to the back. On letterhead of the Farm at Les Collettes, Cagnes: "Monsieur, J'ai recu votre amiable lettre et je serai heureux de lire votre petit roman pour faire connaissance avec vous. Recevez mes salutations meilleures. Renoir 23 Septembre 1913" (Sir, I received your amiable letter and I will be happy to read your little novel to get to know you. Receive my best regards.); 12mo 11 x 17 cm; ; All shipments through USPS insured Priority Mail.

Roma: Antonio de Rossi, 1730. First Edition — Primera edición. Hardcover — Tapa dura. 250x190mm. (9¾x7½").. Roma, Antonio de Rossi, 1730-1736. 2 volúmenes. En 4º (250 x 190)mm. -I: (24), 330, (6) pp. -II: (16), 560, (6) pp. Portadillas y portadas en ambos volúmenes impresas en rojo y negro. Numerosas iniciales grabadas en madera. Encuadernación de la época en holandesa piel color oliva con puntas, tejuelo en las lomeras y decoración dorada. Primera edición de este apreciado trabajo que contiene una biografía de artistas italianos desde el siglo XVII, excluyendo a las personas vivas, siendo Bernini la única omisión notable. La primera gran obra de la historiografía artística italiana del siglo dieciocho. Hay un cambio interesante de énfasis entre el primer y el segundo volumen. En el primero, Pascoli alaba la modernidad y el genio y admira la fecundidad del siglo XVII, mientras que en el segundo advierte sobre los peligros de la imaginación y recomienda seguir a los antiguos. El… Read More

Very good copy of the rare first edition of John Hill's famous herbal with contemporary hand colour.
With engraved allegorical frontispiece showing Health receiving tribute from Asia, Africa and America by Samuel Wale engraved by Henry Roberts, engraved coat of arms of the Duke of Northumberland on dedication, and 75 engraved botanical plates all finely coloured in a contemporary 18th-century hand.
The 75 plates show approximately 1,500 species of plants, flowers, herbs, vegetables, fruits, ferns, mushrooms, both native to Britain and foreign, all in distinctive 18th-century colour.
Plates drawn and engraved by Boyce, C. Edwards & Matthew Darly, Henry Roberts, R. Benning, etc.
Title page printed in red and black with allegorical vignette of Aesculapius and Flora gathering from the Lap of Nature by Samuel Wale, engraved by Charles Grignion.
Sir John Hill (1714–1775) was an English composer, actor, author and botanist. He contributed to contemporary periodicals and engaged in literary battles with… Read More

Very good copy of a classic of English 18th-century pomological literature.
With 79 beautiful fruit plates drawn by Batty Langley, and engraved on copper by Thomas Bowles, John van der Gucht, James Smith, John Carwitham, etc.
With 79 engraved plates, of which 11 are double (double plates with two Pl. numbers). The fruits include many varieties of apples, pears, plums, figs, cherries and strawberries as you would expect in a British orchard, but there are also many grape varietals (Muscadine, Frontinac, Lombard, Brick, Burgundy, Esperione, Claret, White Raisin, etc.) to remind the reader that wine grapes had been grown in England since the Roman era.
Batty Langley (1696-1751) was an English gardener from Twickenham, who later became a landscape gardener, Freemason, and finally architect promoting the Gothic Revival. Among his many books were An Accurate Description of Newgate (written while he was imprisoned there for debt) 1724, New Principles of Gardening 1728, Pomona 1729, Ancient Masonry 1733~,… Read More

Vinegia: Vincenzo Vaugris. [Architettura-Prima edizione] (cm.16,5) ottima piena pergamena sec. XVIII. Titolo calligrafato al dorso.-- cc. 12 nn., (di cui l' ultima bianca), cc. 248, c. 1 con la marca tipografica. La dedica del traduttore Pietro Lauro Modenese è a Bonifacio Bevilacqua. prima edizione in qualsiasi lingua moderna e prima traduzione italiana di questo capolavoro dell' architettura rinascimentale. L' Editio Princeps del " De Re Aedificatoria " apparve nel 1485 a Firenze e ripropone in dieci libri la struttura del testo di Vitruvio. I primi tre libri riguardano il progetto e l' esecuzione; nel 4° e 5° si esaminano le grandi opere come città, ponti ecc. Nell' 8° e 9° si gtratta dell' apparato ornamentale, nel 10° si tratta di restauro e idraulica. Opera fondamentale non solo per l' architettura ma anche per il pensiero rinascimentale nel suo insieme. Qualche lieve traccia di polvere alla prima e ultima carta, altrimenti… Read More

Foujita. The menu is also signed by Madeleine, Foujita's model and companion during this two-year journey in Latin America and by the Argentine artist Florencio Molina Campos, who added a small sketch of Foujita. Together with a group of two vintage silver gelatin photographs mounted on cardboard. The mounts measure 33.5 cm x 26.5 and the images 23 x 17 cm. These two pictures were taken at the event on April 30, 1932. One photograph shows Foujita dancing with Madeleine, the other shows them at the dinner in his honor. The other guests include Molina Campos and Guichard Jean du Plessis, author of "Hommes de la Pampa", accompanied by his wife Simone, a relative of the aviator Jules Védrines. The most successful of the Montparnasse group of artists, Tokyo-born Foujita's Latin American tour (1931-1933) was a great hit, with thousands of people attending his exhibitions. In 1933 he returned to Japan, where Madeleine died from an overdose in 1936. In Japan Foujita produced propaganda art during the war,… Read More

Benois, Alexandre 1870-1960. Watercolour and pencil on laid paper with partial watermark "MBM." 320 x 240 mm. Signed by the artist with initials and dated 1932 in pencil at lower left. With pencilled notes in Benois's hand. Very slightly soiled; 35 mm. tear to blank right margin repaired; remnants of mounting paper to upper corners of verso. Possibly a preparatory drawing for the Tsaritsa's costume. Rimsky-Korsakov's last opera, Coq d'Or (The Golden Cockerel) was first performed in Moscow at the Solodovnikov Theatre (Sergey Ivanovich Zimin's private opera company), on September 24/October 7, 1909. It is in a prologue, three acts, and an epilogue by Nikolay Andreyevich Rimsky-Korsakov to a libretto by Vladimir Nikolayevich Bel'sky after the eponymous imitation folk tale in verse by Alexander Sergeyevich Pushkin, based in turn on 'The House of the Weathercock' and 'Legend of the Arabian Astrologer' from The Alhambra by Washington Irving. "The Golden Cockerel is the only one of Rimsky- Korsakov's 15… Read More

Framed and authenticated by Charles Hamilton with his seal affixed to the backing paper. Felt-lined frame with raised platform for the note and recessed Georges Lay bronze medal of Renoir above. Note shows adhesive bleed at corners; medal has been paper-taped to the back. On letterhead of the Farm at Les Collettes, Cagnes: "Monsieur, J'ai recu votre amiable lettre et je serai heureux de lire votre petit roman pour faire connaissance avec vous. Recevez mes salutations meilleures. Renoir 23 Septembre 1913" (Sir, I received your amiable letter and I will be happy to read your little novel to get to know you. Receive my best regards.); 12mo 11 x 17 cm; ; All shipments through USPS insured Priority Mail.

Sydney: Art in Australia, 1920. A beautiful copy of Lindsay's famous work covering the meaning of life and art, drawing on philosophical concepts. Signed on front endpaper by Lindsay with a full page original etching tipped in "All who would examine the problem of Life must first remove from it the problem of Existence. It is the confusion between these two things that has confused all human morality. By Existence one comprehends the body, and all that serves to supply its needs, to keep its machinery active. By Life one understands all that goes beyond the body, the impulse that we vaguely call the mind, the soul, the intellectual process. The body is the poor relation of the mind, the servant, the vehicle. In serving its needs, one supplies movement; in servings its senses, one supplies material for the intellectual process. Between these functions, high and low, one must seek a direction for Man's destiny. To find that direction is to find the High Morality. In short, to find the direction of… Read More