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Classical Nashville: Athens of the South
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Classical Nashville: Athens of the South Hardcover - 1996

by Christine M. Kreyling/ Wesley Paine/ Charles W. Warterfield/ Susan Ford Wiltshire

  • New
  • Hardcover

Description

Vanderbilt Univ Pr, 1996. Hardcover. New. 186 pages. 9.25x6.50x0.75 inches.
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Details

  • Title Classical Nashville: Athens of the South
  • Author Christine M. Kreyling/ Wesley Paine/ Charles W. Warterfield/ Susan Ford Wiltshire
  • Binding Hardcover
  • Edition First Edition
  • Condition New
  • Pages 192
  • Volumes 1
  • Language ENG
  • Publisher Vanderbilt Univ Pr, Nashville
  • Date 1996
  • Features Bibliography, Dust Cover, Index
  • Bookseller's Inventory # x-0826512771
  • ISBN 9780826512772 / 0826512771
  • Weight 1.3 lbs (0.59 kg)
  • Dimensions 9.28 x 6.33 x 0.68 in (23.57 x 16.08 x 1.73 cm)
  • Themes
    • Cultural Region: Southeast U.S.
    • Cultural Region: South
    • Geographic Orientation: Tennessee
  • Library of Congress subjects United States - Civilization - Classical, Nashville (Tenn.) - Civilization
  • Library of Congress Catalog Number 96012087
  • Dewey Decimal Code 976.855

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From the rear cover

Illustrated with nearly a hundred archival and contemporary photographs, Classical Nashville shows how Nashville earned that appellation through its adoption of classical metaphors in several areas: its educational and literary history, from the first academies through the establishment of the Fugitive movement at Vanderbilt; the classicism of the city's public architecture, including its Capitol and legislative buildings; the evolution of neoclassicism in homes and private buildings; and the history and current state of the Parthenon, the ultimate symbol of classical Nashville, which houses the awe-inspiring 42-foot statue of Athena by sculptor Alan LeQuire. Nashville's classical identifications have always been forward-looking rather than antiquarian: ambitious, democratic, entrepreneurial, and culturally substantive. Classical Nashville celebrates the continuation of classical ideals in present-day Nashville, ideals that serve not as monuments to a lost past, but as sources of energy, creativity, and imagination for the future of a city.

About the author

Charles W. Warterfield, Jr., is an architect specializing in the restoration and preservation of historical architecture. Co-author of Notable Nashville Architecture, 1930-1980 and several other works, he is a graduate of Vanderbilt and the Yale School of Architecture.

Christine M. Kreyling, architecture and urban planning critic for the Nashville Scene and adjunct curator of the Cheekwood Museum of Art, has won numerous awards for her writing on art, architecture, and urban planning. A member of several national architecture and museum organizations, she is an M.A. candidate in the Department of Fine Arts at Vanderbilt, working on a thesis concerning 19th-century American domestic architecture.

Susan Ford Wiltshire, Professor and former Chair of Classical Studies at Vanderbilt, earned her Ph.D. in Greek and Latin at Columbia University. Among her previous publications are Public and Private in Vergil's Aeneid; Greece, Rome, and the Bill of Rights; and Seasons of Grief and Grace: A Sister's Story of AIDS.

Wesley Paine, Director of the Parthenon in Nashville, has studied museum administration at the University of Oklahoma. She is a founding member of Theatre Parthenos, a non-profit theatre group that produces ancient Greek plays on the steps of the Parthenon.