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The Complete Lyrics of Johnny Mercer
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The Complete Lyrics of Johnny Mercer Hardcover - 2009 - 1st Edition

by Davis, Eric, Kreuger, Miles, Day, Barry, Kimball, Robert, Mercer, Johnny

  • Used
  • Good
  • Hardcover

Published in Johnny Mercer's centennial year, this volume in the Complete Lyrics series contains the texts to more than 1,200 of his lyrics, several hundred of them published here for the first time. Includes the words to such classics as Skylark and That Old Black Magic.

Description

Knopf, 2009-10-20. Hardcover. Good. 1.5000 11.5000 10.8000.
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Details

  • Title The Complete Lyrics of Johnny Mercer
  • Author Davis, Eric, Kreuger, Miles, Day, Barry, Kimball, Robert, Mercer, Johnny
  • Binding Hardcover
  • Edition number 1st
  • Edition 1
  • Condition Used - Good
  • Pages 488
  • Volumes 1
  • Language ENG
  • Publisher Knopf, New York
  • Date 2009-10-20
  • Illustrated Yes
  • Features Dust Cover, Illustrated, Index, Price on Product - Canadian, Table of Contents
  • Bookseller's Inventory # mon0003485537
  • ISBN 9780307265197 / 0307265196
  • Weight 5.76 lbs (2.61 kg)
  • Dimensions 11.72 x 11.02 x 1.37 in (29.77 x 27.99 x 3.48 cm)
  • Themes
    • Chronological Period: 20th Century
  • Library of Congress subjects Songs, Popular music - United States
  • Library of Congress Catalog Number 2009024005
  • Dewey Decimal Code 782.421

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From the publisher

Robert Kimball was educated at Yale College and Yale Law School. He has been the music critic of the New York Post and is the co-author or editor of many books on musical theater, including Cole, the celebrated book about Cole Porter that he edited with Brendan Gill. He also edited for the Complete Lyrics series the volumes of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. He is co-editor, with Robert Gottlieb, of Reading Lyrics. He lives in New York.

Barry Day was born in England and is an MA from Balliol College, Oxford. He has written or edited some twenty books as well as plays and musical revues showcasing the work of Dorothy Parker, P. G. Wodehouse, the Lunts, Oscar Wilde, and Sherlock Holmes. His eight books on Noël Coward include Noel Coward: The Complete Lyrics. He has also edited P. G. Wodehouse: The Complete Lyrics. He is a Trustee of the Noël Coward Foundation, a board member of Shakespeare’s Globe Theatre, and winner of an ASCAP Deems Taylor Award. He was awarded the Order of the British Empire “for service to British Culture in the United States.”

Miles Kreuger is a native New Yorker and a graduate of Columbia Grammar School and Bard College. He has been writing about musical theater and film since 1958, including the definitive study of Show Boat. In 1965, he created the world’s first academic course on the American musical, at New York University, and has since taught at Columbia, the University of Southern California, and UCLA. He is president of The Institute of the American Musical and lives in Los Angeles.

Eric Davis is an avid student of nineteenth- and twentieth-century American popular music. He received his BA from Indiana University and is currently pursuing graduate studies in musicology at the University of Southern California.

Categories

Media reviews

 
“This is the seventh volume in one of the most worthwhile scholarly enterprises of our time, the effort to collect all the lyrics of the great pop songwriters of the 20th century. . . . The scholarship is impressive . . . a labor of love . . . Amazingly prolific . . . Mercer tended to think of each lyric as complete in itself, a little poem . . . He seemed comfortable across the entirety of America, and said as much in song: ‘Any place I hang my hat is home.’ But he always kept up his connection to the South, which provided him with the inspiration for much of his best work. . . . The other great lyricists had many ear-bending adjectives in their quivers. But none of them ever came up with a more perfect word for a song than Johnny Mercer did when his Southern unconscious gave him the gift of ‘huckleberry.’”
            —Barry Gewen, The New York Times Book Review
 
“[Mercer] could be considered the best lyricist of the last five-score years. . . . one of the most evocative writers about the American South who’s ever put pen to paper. . . . Enjoying a book such as this is akin to turning on an internal iPod. . . . Mercer wrote ‘That Old Black Magic’ and infused it—and everything else he copiously imagined—with that old knack magic.”
            —David Finkle, The Huffington Post

Citations

  • Booklist, 10/15/2009, Page 13
  • New York Review of Books, 04/08/2010, Page 50
  • New York Times Book Review, 12/06/2009, Page 34
  • Time, 11/30/2009, Page 83

About the author

Robert Kimball was educated at Yale College and Yale Law School. He has been the music critic of the New York Post and is the co-author or editor of many books on musical theater, including Cole, the celebrated book about Cole Porter that he edited with Brendan Gill. He also edited for the Complete Lyrics series the volumes of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. He is co-editor, with Robert Gottlieb, of Reading Lyrics. He lives in New York.

Barry Day was born in England and is an MA from Balliol College, Oxford. He has written or edited some twenty books as well as plays and musical revues showcasing the work of Dorothy Parker, P. G. Wodehouse, the Lunts, Oscar Wilde, and Sherlock Holmes. His eight books on Nol Coward include Noel Coward: The Complete Lyrics. He has also edited P. G. Wodehouse: The Complete Lyrics. He is a Trustee of the Nol Coward Foundation, a board member of Shakespeare's Globe Theatre, and winner of an ASCAP Deems Taylor Award. He was awarded the Order of the British Empire "for service to British Culture in the United States."

Miles Kreuger is a native New Yorker and a graduate of Columbia Grammar School and Bard College. He has been writing about musical theater and film since 1958, including the definitive study of Show Boat. In 1965, he created the world's first academic course on the American musical, at New York University, and has since taught at Columbia, the University of Southern California, and UCLA. He is president of The Institute of the American Musical and lives in Los Angeles.

Eric Davis is an avid student of nineteenth- and twentieth-century American popular music. He received his BA from Indiana University and is currently pursuing graduate studies in musicology at the University of Southern California.

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