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Cubism and its histories (Critical Perspectives in Art History)
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Cubism and its histories (Critical Perspectives in Art History) Paperback - 2004

by Cottington, David

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Details

  • Title Cubism and its histories (Critical Perspectives in Art History)
  • Author Cottington, David
  • Binding Paperback
  • Edition 1st
  • Condition Used - Good
  • Pages 328
  • Volumes 1
  • Language ENG
  • Publisher Manchester University Press, Manchester
  • Date 2004-09
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • Bookseller's Inventory # 0719050049.G
  • ISBN 9780719050046 / 0719050049
  • Weight 1.75 lbs (0.79 kg)
  • Dimensions 9.3 x 6.6 x 0.8 in (23.62 x 16.76 x 2.03 cm)
  • Library of Congress subjects Art, French - 20th century, Cubism - France
  • Library of Congress Catalog Number 2005295183
  • Dewey Decimal Code 709.040

From the publisher

Cubism was the most influential artistic movement that emerged in the twentieth century. The hallmarks of its style were stamped on the art, design and architecture and its aesthetic principles governed the representation of modernity across all the arts. Yet just what cubism was, or stood for, at the time of its emergence is still in dispute, while the explanations offered for its importance for twentieth-century art, and its legacy for the present, are bewildering in their variety.

This fascinating book offers a way beyond this confusion: a narrative of its beginnings, consolidation and dissemination that takes into account not only what the style and the movement signified at the time of its emergence but also the principal writings through which cubism's significance for modernism has been established.

Visually stunning with over 100 illustrations, this is an essential work for all students and teachers of modern art history.

From the rear cover

Cubism was the most influential artistic movement that emerged in the twentieth century. The hallmarks of its style were stamped on the art, design and architecture and its aesthetic principles governed the representation of modernity across all the arts. Yet just what cubism was, or stood for, at the time of its emergence is still in dispute, while the explanations offered for its importance for twentieth-century art, and its legacy for the present, are bewildering in their variety.

This fascinating book offers a way beyond this confusion: a narrative of its beginnings, consolidation and dissemination that takes into account not only what the style and the movement signified at the time of its emergence but also the principal writings through which cubism's significance for modernism has been established.

Visually stunning with over 100 illustrations, this is an essential work for all students and teachers of modern art history.

About the author


David Cottington is Professor of Art History at Falmouth College of Arts