"Currency": James Delahunty (Statesmen, no. 120) -- Vanity Fair, Aug. 3, 1872 by Tissot, James Jacques - 1872

[Providence, Rhode Island School of Design, 1968]. Soft Cover. [35] p., 88 illus. 25.5 cm. Title continues: "Introductory essay and drawing entries, by Henri Zerner. Chronology and painting entries, by David S. Brooke. Print section, by Michael Wentworth. Museum of Art, Rhode Island School of Design, Providence, February 28-March 29, 1968. The art Gallery of Ontario, Toronto, April 6-May 5, 1968." Catalog designed by Malcolm Grear. All the illustrations are in black and white for this wonderful French colorist. Bibliography: p. 35. Stock# 43,532. Good+ / soft cover.

Providence, RI: Museum of Art, Rhode Island School of Design, 1968. [35], 83 pages, illustrations, facsimiles, portraits; 26 cm. Exhibition held Museum of Art, Rhode Island School of Design, Providence, February 28 to March 29, 1968; Art Gallery of Ontario, Toronto, April 6 to May 5, 1968. Introductory essay and drawing entries by Henri Zerner; chronology and painting entries by David S. Brooke; print section by Michael Wentworth. Firm binding, clean text. Previous owner's name/title page, otherwise unmarked.. 1st. Paperback. Very Good. 4to.

Very Good. Paperback. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Light edge and tip wear, old sticker has damaged the front wrapper at top right corner ; 8vo 8" - 9" tall .

Phaidon Press and Barbican Art Gallery, 1984-01-01. Hardcover. Good.

London: Hutchinson 1983 Hardcover. 0091494605 First edition. Oversize 223 pages, illustrated, bibliography, index, acknowledgements. Very good Faint remainder line to the top edge, upper corners bumped in Near Fine Dust Wrapper. with very light wear see photos bx167

London: Artus Books, 1995. Cloth, 160 pages, illustrations (some colour); 31 cm. Near fine. Firm binding, clean inside copy. Back free endpaper creased. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates.. Hardcover. Very Good/Fine. 4to.

Art Gallery of Ontario. Very Good. 1968. First Edition. Softcover. Matte wraps with mild edgewear and soil. Binding sound, spine uncreased, text clean. No previous owner names, stickers or stamps. Illustrated in b/w.; Square 4to 9" - 11" tall; Unpaginated pages .

New York and New Haven, CT: American Federation of Arts, Yale University Press, 1999. 207 pages, colour illustrations; 26 cm. Exhibition held at the Yale Center for British Art, New Haven, Conn., September 22 to November 28, 1999, and other venues. Near fine. Firm binding, clean inside copy. Age toning. "James Tissot (1836-1902), the wry and urbane observer of manners and fashions, painted scenes from the life of "society" that simmer with undercurrents of sexual drama. This book presents nearly a hundred paintings, prints, and watercolors from every phase of Tissot's career, including such signature paintings as The Ball on Shipboard, Hush! (The Concert), and London Visitors." "Nancy Rose Marshall and Malcolm Warner explore Tissot's themes and interests and consider the influence on his work of Charles Baudelaite's brilliant essay on the aesthetics of modernity, Le Peintre de la vie moderne. They examine how Tissot dealt with the ways of modern love in Paris and… Read More

Paperback / softback. New.

Nabu Press, 2012-03-12. Paperback. Good.