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Dancing at the Louvre: Faith Ringgold's French Collection and Other Story
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Dancing at the Louvre: Faith Ringgold's French Collection and Other Story Quilts Paperback - 1998

by Cameron, Dan [Editor]; Powell, Richard J. [Introduction]; Cameron, Dan [Contributor]; Gibson, Ann [Contributor]; Gouma-Peterson, Thalia [Contributor]; Hill, Patrick [Contributor]; Roth, Morra [Contributor]; Wallace, Michele [Contributor];

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  • Paperback

Description

University of California Press, 1998-04-01. paperback. Very Good. 10x0x10. Softcover with no markings in good clean condition.pages in good clean condition with no markings-signed by author.Good clean cover.
Used - Very Good
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Details

First line

HE GRADUAL TRANSITION from the postconceptual strategies of "pure" appropriation adopted by artists in the late 1970s and early 1980s to the working through of unresolved sociocul issues that serves as one of the prevailing artistic modes of the 1990s marks one of the least-noticed yet all changes in the making of art in the United States today.

About the author

Richard J. Powell is Associate Professor of Art History at Duke University. Dan Cameron is Editor of Dancing at the Louvre and Senior Curator at The New Museum of Contemporary Art. Ann Gibson is Associate Professor and Associate Director of Publications of the Humanities Institute at the State University of New York, Stony Brook. Thalia Gouma-Peterson is Professor of Art History and museum director at The College of Wooster. Patrick Hill is a doctoral candidate in the Program in American Culture at the University of Michigan, Ann Arbor. Moira Roth is Trefethen Professor of Art History at Mills College. Michele Wallace is Associate Professor of English and Women's Studies at the City College of New York and the CUNY Graduate Center.