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The Death of Character – Perspectives on Theater after Modernism
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The Death of Character – Perspectives on Theater after Modernism Paperback - 1996

by Elinor Fuchs

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  • Paperback

Description

Indiana Univ Pr, 1996. Paperback. New. 240 pages. 9.50x6.25x0.75 inches.
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Details

  • Title The Death of Character – Perspectives on Theater after Modernism
  • Author Elinor Fuchs
  • Binding Paperback
  • Edition First Paperback
  • Condition New
  • Pages 240
  • Volumes 1
  • Language ENG
  • Publisher Indiana Univ Pr, Bloomington, Indiana, U.S.A.
  • Date 1996
  • Bookseller's Inventory # x-0253210089
  • ISBN 9780253210081 / 0253210089
  • Weight 0.84 lbs (0.38 kg)
  • Dimensions 9.26 x 6.15 x 0.66 in (23.52 x 15.62 x 1.68 cm)
  • Library of Congress subjects Experimental theater, Theater - United States - Reviews
  • Library of Congress Catalog Number 95022915
  • Dewey Decimal Code 792.022

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From the rear cover

In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. She begins with the decline of character, once the central link between the artist and the spectator. In theatrical modernism Fuchs sees a series of strategies to compensate for this decline. Postmodern theater no longer greets the demotion of character with anxiety, despair, or satisfaction--as in Pirandello, Beckett, or Brecht--but puts in its stead a multiple subject, a protean spectator, and a dispersed field of attention.

About the author

ELINOR FUCHS, a New York theater critic noted for her writing on contemporary experimental theater, is on the faculty of the School of the Arts at Columbia University and is Lecturer at the Yale School of Drama. She has also taught at Harvard University, New York University, and Emory University. She is editor of Plays of the Holocaust: An International Anthology, and co-author (with Joyce Antler) of the documentary play Year One of the Empire. Her essays have appeared in such publications as American Theatre, The Drama Review, Modern Drama, Theater, and Performing Arts Journal. She has been a contributor to The Village Voice since 1982.