Skip to content

The Death of Character: Perspectives on Theater after Modernism (Drama and
Stock Photo: Cover May Be Different

The Death of Character: Perspectives on Theater after Modernism (Drama and Performance Studies) Paperback - 1996

by Fuchs, Elinor

  • New

Description

Indiana University Press. New. Special order direct from the distributor
New
NZ$47.34
NZ$24.96 Shipping to USA
Standard delivery: 6 to 12 days
More Shipping Options
Ships from Russell Books Ltd (British Columbia, Canada)

Details

About Russell Books Ltd British Columbia, Canada

Biblio member since 2006
Seller rating: This seller has earned a 5 of 5 Stars rating from Biblio customers.

Family owned and operated since 1961. Located in Downtown Victoria selling new, used, and remainder titles in all categories. We also have an extensive selection of Journals, cards and calendars.

Terms of Sale: For further information - (250) 361-4447 (GST applied to all Canadian orders). Shipping prices are based on books weighing 2.2 LB, or 1 KG. Canadian and U.S. orders sent with Automated Package Tracking and delivery confirmation, where available. If your book order is heavy or over-sized, we may contact you regarding any extra shipping costs.

Browse books from Russell Books Ltd

From the rear cover

In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. She begins with the decline of character, once the central link between the artist and the spectator. In theatrical modernism Fuchs sees a series of strategies to compensate for this decline. Postmodern theater no longer greets the demotion of character with anxiety, despair, or satisfaction--as in Pirandello, Beckett, or Brecht--but puts in its stead a multiple subject, a protean spectator, and a dispersed field of attention.

About the author

ELINOR FUCHS, a New York theater critic noted for her writing on contemporary experimental theater, is on the faculty of the School of the Arts at Columbia University and is Lecturer at the Yale School of Drama. She has also taught at Harvard University, New York University, and Emory University. She is editor of Plays of the Holocaust: An International Anthology, and co-author (with Joyce Antler) of the documentary play Year One of the Empire. Her essays have appeared in such publications as American Theatre, The Drama Review, Modern Drama, Theater, and Performing Arts Journal. She has been a contributor to The Village Voice since 1982.