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The Eisenstein Reader
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The Eisenstein Reader Paperback - 1999 - 1998th Edition

by Taylor, Richard

  • Used

Description

UsedGood. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.
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Details

  • Title The Eisenstein Reader
  • Author Taylor, Richard
  • Binding Paperback
  • Edition number 1998th
  • Edition 1998
  • Condition UsedGood
  • Pages 272
  • Volumes 1
  • Language ENG
  • Publisher British Film Institute, London
  • Date January 1, 1999
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • Bookseller's Inventory # 31URM800B0MU_ns
  • ISBN 9780851706764 / 0851706762
  • Weight 0.9 lbs (0.41 kg)
  • Dimensions 9.1 x 6 x 0.7 in (23.11 x 15.24 x 1.78 cm)
  • Library of Congress subjects Motion pictures - Production and direction, Eisenstein, Sergei
  • Library of Congress Catalog Number 99215415
  • Dewey Decimal Code 791.430

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First line

In a few words: Proletkult's theatrical programme consists not in 'using the treasures of the past' or in 'discovering new forms of theatre' but in abolishing the very institution of theatre as such and replacing it by a showplace for achievements in the field at the level of the everyday skills of the masses.

From the rear cover

Legendary director Sergei Eisenstein has unquestionably emerged as cinema's most influential theorist and author of some of the most important aesthetic writings of the twentieth century. For the first time in one volume, "The Eisenstein Reader" presents in concise, chronological form his most significant work - including his famous theories of montage and articles on subjects as diverse as sound, film language, and Russian history. The selections range from early writings on his great silent masterpieces "The Strike, October" and "The Battleship Potemkin," to later works, hatched in the increasingly hostile and paranoid environment of Stalin's Soviet Union. Drawn from the acclaimed four-volume "Selected Works," this collection, which includes a new introduction and explanatory notes by Richard Taylor as well as many illustrations, further illuminates the startling originality, diversity, and power of the greatest and most flamboyant of all Russian filmmakers.

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