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Feminism and Art History: Questioning the Litany
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Feminism and Art History: Questioning the Litany Paperback - 1982

by Broude, Norma, Garrard, Mary

  • Used

Description

Harper and Row. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Used - Good
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Details

  • Title Feminism and Art History: Questioning the Litany
  • Author Broude, Norma, Garrard, Mary
  • Binding Paperback
  • Edition [ Edition: First
  • Condition Used - Good
  • Pages 372
  • Volumes 1
  • Language ENG
  • Publisher Harper and Row, New York
  • Date 1982-08-11
  • Features Bibliography, Index
  • Bookseller's Inventory # G02C-01615
  • ISBN 9780064301176 / 0064301176
  • Weight 1.47 lbs (0.67 kg)
  • Dimensions 9.26 x 7.22 x 0.89 in (23.52 x 18.34 x 2.26 cm)
  • Reading level 1550
  • Library of Congress subjects Feminism and art, Feminism in art
  • Library of Congress Catalog Number 81048062
  • Dewey Decimal Code 701.03

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First line

In the late 1960s, we longtime feminists in the scholarly professions discovered that we were part of the women's movement.

From the rear cover

A long-needed corrective and alternative view of Western art history, these seventeen essays by respected scholars are arranged chronologically and cover every major period from the ancient Egyptian to the present.

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About the author

Norma Broude and Mary D. Garrard are professors of art history at the American University in Washington, D.C., and are leading scholars in the field of feminist art history. Broude is the author of The Macchiaioli: Italian Painters of the Nineteenth Century (1987), Impressionism, A Feminist Reading: The Gendering of Art, Science, and Nature in the Nineteenth Century (1991), and Georges Seurat (1992). Garrard has written articles and reviews on feminism and art history, Jacopo Sansovino, Michelangelo and Raphael, and Renaissance sculpture. She is the author of Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (1989) and, with Broude, the coeditor of Feminism and Art History: Questioning the Litany (1982).

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