Skip to content

Fictional Truth (Parallax: Re-visions of Culture and Society)
Stock Photo: Cover May Be Different

Fictional Truth (Parallax: Re-visions of Culture and Society) Paperback - 1990

by Riffaterre, Michael

  • New
  • Paperback

This book identifies and discusses the features that give fictional narratives their ring of truth, testing the author's theories against the works of Austen, Dickens, Balzac, James, Proust, and others.

Description

Johns Hopkins University Press, 1990-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title!
New
NZ$137.14
NZ$9.09 Shipping to USA
Standard delivery: 2 to 21 days
More Shipping Options
Ships from GridFreed LLC (California, United States)

Details

  • Title Fictional Truth (Parallax: Re-visions of Culture and Society)
  • Author Riffaterre, Michael
  • Binding Paperback
  • Edition 1st Edition
  • Condition New
  • Pages 160
  • Volumes 1
  • Language ENG
  • Publisher Johns Hopkins University Press, Baltimore, Maryland, U.S.A.
  • Date 1990-01-01
  • Features Bibliography, Glossary, Index, Table of Contents
  • Bookseller's Inventory # Q-0801839343
  • ISBN 9780801839344 / 0801839343
  • Weight 0.45 lbs (0.20 kg)
  • Dimensions 8.45 x 5.36 x 0.52 in (21.46 x 13.61 x 1.32 cm)
  • Library of Congress subjects Fiction - History and criticism, Narration (Rhetoric)
  • Library of Congress Catalog Number 89045491
  • Dewey Decimal Code 809.391

About GridFreed LLC California, United States

Biblio member since 2021
Seller rating: This seller has earned a 5 of 5 Stars rating from Biblio customers.

We sell primarily non-fiction, many new books, some collectible first editions and signed books. We operate 100% online and have been in business since 2005.

Terms of Sale: 30 day return guarantee, with full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged.

Browse books from GridFreed LLC

From the publisher

"All literary genres are artifacts", writes Michael Riffaterre, "but none more blatantly so than fiction. Its very name declares its artificiality, and yet it must somehow be true to hold the interest of its readers, to tell them about experiences at once imaginary and relevant to their own lives. This paradox of truth in fiction is the problem for which I propose to seek a solution."

In "Fictional Truth" Riffaterre identifies and discusses the features that give fictional narratives their ring of truth. He offers a semiotic revision of traditional narratology, sets forth a new theory of intertextual overdetermination, and presents an analysis of the manifestation of narrative content through the operations of an intertextual unconscious. Throughout, Riffaterre tests theory against close readings of fiction by such authors as Austen, Balzac, Dickens, James, Meredith, Proust, and Trollope. An introduction and glossary of terms help make this an indispensable volume for the students as well as the specialist.

From the rear cover

"All literary genres are artifacts", writes Michael Riffaterre, "but none more blatantly so than fiction. Its very name declares its artificiality, and yet it must somehow be true to hold the interest of its readers, to tell them about experiences at once imaginary and relevant to their own lives. This paradox of truth in fiction is the problem for which I propose to seek a solution."

In "Fictional Truth" Riffaterre identifies and discusses the features that give fictional narratives their ring of truth. He offers a semiotic revision of traditional narratology, sets forth a new theory of intertextual overdetermination, and presents an analysis of the manifestation of narrative content through the operations of an intertextual unconscious. Throughout, Riffaterre tests theory against close readings of fiction by such authors as Austen, Balzac, Dickens, James, Meredith, Proust, and Trollope. An introduction and glossary of terms help make this an indispensable volume for the students as well as the specialist.

About the author

Michael Riffaterre is University Professor at Columbia University as well as Director and a Senior Fellow of the School of Criticism and Theory at Dartmouth College. He is author of Semiotics of Poetry and Text Production.