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Film and Politics in America: a Social Tradition
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Film and Politics in America: a Social Tradition Paperback - 1992

by Neve, Brian

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  • Good
  • Paperback

Description

London: Routledge, 1992. A crease to the spine, otherwise a good clean tight copy of this paperback book in which the author looks at the political and social nature of American films from the 1930s to the 1960s, particularly those made by directors whose careers began in 1940s Hollywood, including directors such as Orson Welles, Elia Kazan, Jules Dassin, Abraham Polonsky, Nicholas Ray, Robert Rossen and Joseph Losey. 285pp, 12 b&w illustrations.. Soft Cover. Good/No Jacket. 8vo - over 7¾" - 9¾" tall.
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Details

  • Title Film and Politics in America: a Social Tradition
  • Author Neve, Brian
  • Binding Paperback
  • Edition 1st Edition
  • Condition Used - Good
  • Pages 300
  • Volumes 1
  • Language ENG
  • Publisher Routledge, London
  • Date 1992
  • Features Bibliography, Index
  • Bookseller's Inventory # 004608
  • ISBN 9780415026208 / 0415026202
  • Weight 1.01 lbs (0.46 kg)
  • Dimensions 7.88 x 5.96 x 0.73 in (20.02 x 15.14 x 1.85 cm)
  • Library of Congress subjects Motion picture industry - United States -, Motion pictures - Political aspects - United
  • Library of Congress Catalog Number 92-5196
  • Dewey Decimal Code 302.234

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From the publisher

In A Social Cinema: Film-making and Politics in America, Brian Neve presents a study of the social and political nature of American film by concentrating on a generation of writers from the thirties who directed films in Hollywood in the 1940's. He discusses how they negotiated their roles in relation to the studio system, itself undergoing change, and to what extent their experience in the political and theatre movements of thirties New York was to be reflected in their later films.
Focusing in particular on Orson Welles, Elia Kazan, Jules Dassin, Abraham Polonsky, Nicholas Ray, Robert Rossen and Joseph Losey, Neve relates the work of these writers and directors to the broader industrial, bureaucratic, social and political developments of the period 1935-1970. With special emphasis on the post-war decade, bringing together archive and secondary sources, Neve explores a lost tradition of social fimmaking in America.

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