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Girl with a Pearl Earring, Deluxe Edition
Stock Photo: Cover May Be Different

Girl with a Pearl Earring, Deluxe Edition Paperback - 2005

by Tracy Chevalier

  • Used
  • Acceptable
  • Paperback

A Deluxe Edition of the National Bestseller with Over 2 Million Copies Sold:
á Eight Pages of Full-Color Plates Include Every Vermeer Painting Discussed in the Book
á French Flaps
á Rough Front
á Larger Trim Size
á Premium Stock
á With a New Foreword

Celebrate Tracy Chevalier's modern classic Girl With A Pearl Earring, featuring a gorgeous new edition illustrated with eight pages of Vermeer's masterworks. History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. The story of Griet, whose life is transformed by her brief encounter with a genius as she herself is immortalized in canvas and oil, is new again.

Description

Penguin Books, 2005-08-30. Paperback. Acceptable. 1.0000 in x 8.6000 in x 5.8000 in. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.
Used - Acceptable
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Ships from Once Upon a Time Books (Arkansas, United States)

Details

  • Title Girl with a Pearl Earring, Deluxe Edition
  • Author Tracy Chevalier
  • Binding Paperback
  • Edition Deluxe
  • Condition Used - Acceptable
  • Pages 233
  • Volumes 1
  • Language ENG
  • Publisher Penguin Books, New York
  • Date 2005-08-30
  • Illustrated Yes
  • Bookseller's Inventory # mon0001160081
  • ISBN 9780452287020 / 0452287022
  • Weight 0.68 lbs (0.31 kg)
  • Dimensions 8.38 x 5.7 x 0.73 in (21.29 x 14.48 x 1.85 cm)
  • Ages 18 to UP years
  • Grade levels 13 - UP
  • Reading level 770
  • Library of Congress subjects Historical fiction, Biographical fiction
  • Dewey Decimal Code FIC

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Summary

Celebrate Tracy Chevalier’s modern classic Girl With A Pearl Earring, featuring a gorgeous new edition illustrated with eight pages of Vermeer’s masterworks. History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening.  The story of Griet, whose life is transformed by her brief encounter with a genius as she herself is immortalized in canvas and oil, is new again.

A Deluxe Edition of the National Bestseller with Over 2 Million Copies Sold:

  • Eight Pages of Full-Color Plates Include Every Vermeer Painting Discussed in the Book
  • French Flaps
  • Rough Front
  • a New Foreword

From the publisher

"I was born and grew up in Washington, DC. After getting a BA in English from Oberlin College (Ohio), I moved to London, England in 1984. I intended to stay 6 months; I’m still here.

"As a kid I’d often said I wanted to be a writer because I loved books and wanted to be associated with them. I wrote the odd story in high school, but it was only in my twenties that I started writing ‘real’ stories, at night and on weekends. Sometimes I wrote a story in a couple evenings; other times it took me a whole year to complete one.

"Once I took a night class in creative writing, and a story I’d written for it was published in a London-based magazine called Fiction. I was thrilled, even though the magazine folded 4 months later.

I worked as a reference book editor for several years until 1993 when I left my job and did a year-long MA in creative writing at the University of East Anglia in Norwich (England). My tutors were the English novelists Malcolm Bradbury and Rose Tremain. For the first time in my life I was expected to write every day, and I found I liked it. I also finally had an idea I considered ‘big’ enough to fill a novel. I began The Virgin Blue during that year, and continued it once the course was over, juggling writing with freelance editing.

"An agent is essential to getting published. I found my agent Jonny Geller through dumb luck and good timing. A friend from the MA course had just signed on with him and I sent my manuscript of The Virgin Blue mentioning my friend’s name. Jonny was just starting as an agent and needed me as much as I needed him. Since then he’s become a highly respected agent in the UK and I’ve gone along for the ride."

Media reviews

"Chevalier brings the real artist Vermeer and a fictional muse to life in a jewel
of a novel." —Time



"A vibrant, sumptuous novel... triumphant... a beautifully written tale that
mirrors the elegance of the painting that inspired it." —The Wall Street Journal



"Chevalier has so vividly imagined the life of the painter and his subject."
Milwaukee Journal Sentinel



"[Chevalier] creates a world reminiscent of a Vermeer interior: suspended in a
particular moment, it transcends its time and place." —The New Yorker



"Marvelously evocative." —The New York Times



"Lustrous." —Entertainment Weekly


About the author

"I was born and grew up in Washington, DC. After getting a BA in English from Oberlin College (Ohio), I moved to London, England in 1984. I intended to stay 6 months; I m still here.

"As a kid I d often said I wanted to be a writer because I loved books and wanted to be associated with them. I wrote the odd story in high school, but it was only in my twenties that I started writing real stories, at night and on weekends. Sometimes I wrote a story in a couple evenings; other times it took me a whole year to complete one.

"Once I took a night class in creative writing, and a story I d written for it was published in a London-based magazine called Fiction. I was thrilled, even though the magazine folded 4 months later.

I worked as a reference book editor for several years until 1993 when I left my job and did a year-long MA in creative writing at the University of East Anglia in Norwich (England). My tutors were the English novelists Malcolm Bradbury and Rose Tremain. For the first time in my life I was expected to write every day, and I found I liked it. I also finally had an idea I considered big enough to fill a novel. I began The Virgin Blue during that year, and continued it once the course was over, juggling writing with freelance editing.

"An agent is essential to getting published. I found my agent Jonny Geller through dumb luck and good timing. A friend from the MA course had just signed on with him and I sent my manuscript of The Virgin Blue mentioning my friend s name. Jonny was just starting as an agent and needed me as much as I needed him. Since then he s become a highly respected agent in the UK and I ve gone along for the ride."

"