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Gods and Generals: A Novel of the Civil War
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Gods and Generals: A Novel of the Civil War Paperback - 1997

by Jeff Shaara

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Gods and Generals: A Novel of the Civil War First Ballantine trade paperback edition oversize May 1997 6 printing very clean minimal amount of edgware small amount of tanning on its edges copyright 1996 by Jeffrey M.Shaara Library of Congress catalog card number 97 - 92954. Cover design by Michelle T. Gengaro- text design by Holly Johnson cover printed in USA cover is bright and shiny although there is some lifting on its edges of the Plasticine coating. Grading older books especially paper bag that is 20 years old can be so completely subjective pictures are included for your purview interior the book is unmarked spine tight uncreased. see pictures maybe this will do it! I try to note all defects, make an informed buying decision-At least you know what you're getting into I have-good description-pictures,books can be an expensive purchase, All photos shown are actual pictures no stock images. What you see is what you will receive. I photograph hand enter & research every book listed,no scanner no generic catch phrase description.Ruth Reaser..LAX Vespa shipped through United States Post to fulfill your order,Los Angeles I carefully pack your book-recycled materials,hop on my Vespa visit the PO to have it placed in our mail system-your books wrapped,not co-mingled,you get the copy you were viewing carefully packed. Bibliographic information Title Gods and Generals The Civil War Trilogy, Michael Shaara, ISBN 0345433726, 9780345433725 Author Jeff Shaara Edition illustrated, reprint Publisher Ballantine Books, 1997 ISBN 0345409574, 9780345409577 Length 498 pages Subjects Fiction ' Historical Fiction / Historical Inv bmk 15 fantasy horror Syfy bmk bib 2901
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Details

  • Title Gods and Generals: A Novel of the Civil War
  • Author Jeff Shaara
  • Binding Paperback
  • Edition Reprint
  • Condition Used - Very Good
  • Pages 528
  • Volumes 1
  • Language ENG
  • Publisher Random House Publishing Group, Westminster, Maryland, U.s.a.
  • Date 1997-05-13
  • Features Maps, Movie/TV Tie-In
  • Bookseller's Inventory # 2901
  • ISBN 9780345409577 / 0345409574
  • Weight 1 lbs (0.45 kg)
  • Dimensions 8.24 x 6.38 x 1.17 in (20.93 x 16.21 x 2.97 cm)
  • Themes
    • Chronological Period: 1851-1899
    • Topical: Civil War
  • Library of Congress subjects Historical fiction, War stories
  • Library of Congress Catalog Number 97092954
  • Dewey Decimal Code FIC

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Summary

4 cassettes 4 hoursRead by Stephen LangThe story of Gods and Generals begins with Michael Shaara, author of the Pulitzer Prize-winning classic The Killer Angels. A native of New Jersey, Michael Shaara grew to be an adventurous young man: over the years, he found work as a sailor, a paratrooper, a policeman, and an English professor at Florida State University. In 1952, his son Jeff was born in New Brunswick, New Jersey. Michael's interest in Gettysburg was prompted by some letters written by his great-grandfather, who had been wounded at the great battle while serving with the 4th Georgia Infantry. In 1966, he took his family on a vacation to the battlefield and found himself moved.In 1970, Michael Shaara returned to Gettysburg with his son Jeff. The pair crisscrossed the historic site, gathering detailed information for the father's novel-in-progress. In 1974, the novel was published with the title The Killer Angels. This gripping fictional account of the three bloody days at Gettysburg won Michael Shaara a Pulitzer Prize and a vast, appreciative audience. To date it has sold two million copies.When Michael Shaara died in 1988, his son Jeff began to manage his literary estate. It was a legacy he knew well, having helped his father create it. When director Ron Maxwell filmed the movie Gettysburg, based on The Killer Angels, he asked Jeff to serve as a consultant. Maxwell encouraged Shaara to continue the story his father began; inspired, Jeff planned an ambitious trilogy, with The Killer Angels as the centerpiece, following the war from its origins to its end.With Gods and Generals, Jeff Shaara gives fans of The Killer Angels everything they could have asked--an epic, brilliantly written saga that brings the nation's greatest conflict to life.

From the publisher

Jeff Shaara is the New York Times bestselling author of A Chain of Thunder, A Blaze of Glory, The Final Storm, No Less Than Victory, The Steel Wave, The Rising Tide, To the Last Man, The Glorious Cause, Rise to Rebellion, and Gone for Soldiers, as well as Gods and Generals and The Last Full Measure—two novels that complete the Civil War trilogy that began with his father’s Pulitzer Prize–winning classic, The Killer Angels. Shaara was born into a family of Italian immigrants in New Brunswick, New Jersey. He grew up in Tallahassee, Florida, and graduated from Florida State University. He lives again in Tallahassee.

From the rear cover

Here is Thomas "Stonewall" Jackson, a hopelessly by-the-book military instructor and devout Christian. His fierce exterior hides a compassionate soul that few - students and soldiers alike - will ever see, and he becomes the greatest commander of the Civil War. We follow Winfield Scott Hancock, a Captain of Quartermasters who is assigned command of a brigade of infantry, quickly establishing himself as one of the finest leaders in the Union army. Then there is Joshua Chamberlain, who gives up his promising academic career to volunteer for service in the new army, only to become one of the most heroic soldiers in American history. And here too is a brilliant portrait of the complex, aristocratic Robert E. Lee, who is faced with the agonizing decision of resigning from a distinguished thirty-year army career in order to defend his home, never believing until too late that a civil war would ever truly come to pass. As the war gathers momentum, Stonewall Jackson wins his reputation by a series of stinging victories over ineptly led Union forces. Lee, finally given command of the Confederate forces, recognizes that this strange, devout, and dangerous man is his greatest weapon. For a time, it truly seems as if God is on their side and that Lee will lead his army to final victory against overwhelming odds. Nowhere is this plainer than at the Battle of Fredericksburg, where, for the first time, all four men meet on the same field and experience the exhilaration and raw horror of battle from four very different points of view. But it is in the next great fight, the Battle of Chancellorsville, that Lee's brilliant strategy, and Jackson's supreme achievement, are overshadowed when Jackson ismortally wounded by his own men. This loss is the true turning point of the war. Lee now realizes that against the evergrowing numbers of Union forces, he can only win by a direct threat to Washington. So the battle-hardened armies of the Confederacy begin their fateful invasion of the North, toward an obscure crossroads in Pennsylvania called Gettysburg.

Categories

Excerpt

Gods and Generals: Antietam/Sharpsburg

After Lee's victory at Bull Run, he took his men on a march into Maryland, drawing the Union army out of Virginia. But Union commander George McClellan captured Lee's plans; for once in his life he moved quickly to pin the Confederates down in the fields around the town of Sharpsburg, by Antietam Creek.

On September 17, 1862, the two armies clashed in the bloodiest day of the entire war. McClellan launched a series of uncoordinated attacks on Lee's outnumbered army. Joshua Chamberlain served in the Union army's reserve, waiting all day to be ordered into the bloody fight.


Excerpt
They reached a small village, Porterstown, and marched through wide streets, the townspeople standing in doorways, leaning out windows, some waving, others just staring. Farther ahead, on the creek itself, was the Middle Bridge, held by the Confederate division of Daniel Harvey Hill. The rebel forces were dug in, back, away from the creek, and to their front the Federal army was spreading out, into lines of attack, were crossing the creek and preparing for the assault. The battle had begun on the far right, just after dawn, and now, as the sun began to rise up behind them, Chamberlain could hear the steady rumble, and as they moved closer, the sharp sounds of single cannon. He sat high on his horse, moving along with the same slow rhythm of the march, but now the men did not fall out, did not feel the weight of the hot September morning, but stared to the front, marching steadily, closer to the sound of the guns.

He heard the steady clatter of muskets now, still off to the right of the road, to the northwest. The battle is not in front of us, he thought. Strange that we should move this way...not up there.

In front of them, Chamberlain saw a rise, a long, wide hill, and as they began to move up, he saw guns, rows of black cannon set into shallow, round depressions before the crest of the hill. Just then they began to fire, quick bursts of gray smoke, and a sudden shocking boom that startled him and his horse. He bounced around on the road, had to grab the horse hard to calm him. From over the hill he saw Ames, riding hard, past lines of troops that were moving away now, to the right, toward the sounds of the battle.

Ames reined up his horse, and Chamberlain saw he was sweating. "Colonel, we're here, right here. Keep the men in column lines. Let's move them out into this field. Wait for further orders. We are part of the reserve."

Chamberlain turned, and Ames rode past him, into the columns of men, and gave the command to the bugler. With the signal, the men moved quickly off the road. Then Ames rode up again, toward the front of the column, slowed his horse as he reached Chamberlain, said, "Colonel, keep them tight, keep them ready. I am to survey the field to our front."

Chamberlain watched him ride away, up the long hill, turning his horse to the side behind the rows of black cannon. The guns began to fire again, a loud and thunderous volley, and the hill became a great, thick fog bank.

He stayed on his horse, saw now across the road, on the left, vast numbers of troops, lines disappearing into a distant grove of trees, and the men not moving, keeping their formations. He rode out the other way, to the right, into the grass, saw more troops farther out that way, a great field of blue, waiting. He looked to his own men, saw the companies staying in their formations, coming off the road, and he rode up to the head of one column, saw Captain Spears of Company G, a small, sharp man who had also been a teacher. He had a narrow, thick beard, sat on a horse, watched Chamberlain approach, puffed on a large round pipe.

"Well, Colonel, do you think we will get our chance?"

Chamberlain looked back to the crest of the hill, could still not see through the smoke, and another volley thundered out, shaking the ground, startling his horse again.

"Whoa, easy...We'll see, Captain. Right now we must be ready...be ready to move forward on command!" He felt a little foolish, a vague order, felt again as if he were left out, didn't know what was happening. The battle sounds had continued to the northwest, and he wondered, Are they moving away, around us? He glanced at Spears, said, "I'll be right back...just going up the crest a ways, take a look maybe."

"We're right here, Colonel."

He turned the horse, then decided to dismount instead. This wasn't a parade. He jumped down, felt his belt, his pistol, began to walk toward the thick cloud of smoke.

The guns continued to fire, every minute or so, and he wondered, How far away is the enemy? There had been no explosions, no incoming shells, none of the sounds he'd been told about, coached about, by Ames, just the deadening thunder of their own big guns....

Now, from the sounds of the battle, he saw his first troops, thick lines of blue, uneven and ragged formations, moving toward a cornfield, and then smoke, solid lines of gray, and in a few seconds the sound reached him, the chattering musket fire, and the blue lines were in pieces, men moving back, some still advancing, some not moving at all. He saw more lines now, solid blocks of blue spreading wide, advancing, and more smoke, and more sounds, and then, farther away, a glimpse through the smoke, other lines of men, some moving, some firing, quick flashes of white and yellow, and the big guns beside him firing again....

He turned to watch the men working the cannon, and was startled to see more men, his men, watching the battle, lying on the ground, creating a neat blue patch on the hill. He had not thought anyone else would be up here, should not have been up here; he should not be up here, but he knew they could not just wait, could not sit behind some big hill and hear it all and not see.

Chamberlain stood up, began to wave his arms, fast and high, motioning to his men, and another blast came from the guns. He braced himself, did not fall, kept waving, back, move back, wondering if they saw him or were ignoring him. He moved along the hillside, tried to yell, but the sound of the guns took his voice away, and suddenly he heard a high, distant scream, louder now, whistling toward him, dropping down on him from behind. He turned, saw nothing, but the sound pierced his ears, and the ground suddenly flew high around him, dirt spraying him, knocking him down, and he lay still, shook his head...checked, all right, but...a bad day for the ears. Then another scream, overhead, and behind the hill, down where the rest of his men sat waiting, there was another explosion, and he tried to see, but it was beyond the crest.

Suddenly, someone had him under the arms, lifting him, and he said, "No, I'm all right," and he saw the face of an officer, a man with black crust under his eyes, around his mouth and nose, glaring at him with eyes of cold steel.

"You are bloody well not all right, you damned fool! Get these men back off this hill! You're drawing fire to my guns!"


From the Hardcover edition.

Media reviews

“Powerful . . . Though the story of the Civil War has been told many times, this is the rare version that conveys what it must have felt like.”—Chicago Sun-Times

“Compelling . . . a work of vivid drama and skill.”—The Dallas Morning News

“[Jeff] Shaara’s beautifully sensitive novel delves deeply in the empathetic realm of psycho-history, where enemies do not exist—just mortal men forced to make crucial decisions and survive on the same battlefield.”—San Francisco Chronicle

“Historical detail and depth of character carry the book, which examines the viewpoints and vulnerabilities of one of the most fascinating collections of military minds ever assembled on a single battlefront.”—Minneapolis Star Tribune
 
“Shaara has created human beings of the myths and cold facts.”—St. Petersburg Times

Citations

  • Publishers Weekly, 03/31/1997, Page 0

About the author

Jeff Shaara is the New York Times bestselling author of A Chain of Thunder, A Blaze of Glory, The Final Storm, No Less Than Victory, The Steel Wave, The Rising Tide, To the Last Man, The Glorious Cause, Rise to Rebellion, and Gone for Soldiers, as well as Gods and Generals and The Last Full Measure--two novels that complete the Civil War trilogy that began with his father's Pulitzer Prize-winning classic, The Killer Angels. Shaara was born into a family of Italian immigrants in New Brunswick, New Jersey. He grew up in Tallahassee, Florida, and graduated from Florida State University. He lives in Gettysburg.