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Gulliver's Travels Hardback - 1960

by Swift, J (Introduction by Quennell, P) (Illustrated by Herbert Cole.)

  • Used
  • Hardcover

Description

London/Geneva, Heron Books,1960s. Hardback. Near Fine. Collectible. This is a handsome example of the Heron books special editions. This is NOT an ex-library book as most of the copies of this novel on the Internet seem to be. Excellent condition. No DW as published. 317pp. Place marker silk ribbon in place. Octavio. 7.87 X 4.80 X 0.94 inches. No annotations or inscriptions. Brown faux leather cover with gilt decoration, decorative end pages, Slight wear on spine. Impressive frontispiece portrait of Swift. Excellent illustrations by Herbert Cole from Bodley Head 1900 edition.. Pages in text clean and white. Binding firm."Every man desires to live long, but no man wishes to be old." As a survivor of a shipwreck, Lemuel Gulliver encounters some entirely absurd things – at first, he is in the land of Lilliputians, the tiny men; but later he ventures to the land of the giants. The tale continues to oscillate between the extremes as he meets immensely wise and scientifically aware people before being faced with excessive self-preoccupation and ignorance. Whatever that societal order, Gulliver consistently is a witness to the abuse of power. The satire often overemphasises the contraries in order to accentuate our individual and societal flaws and proneness to being corrupt and biased. In such a distinct way it rebukes human narrow-mindedness and accentuates our subjectivity. The novel's multivalence has made it a celebrated children's bedtime read – in particular, the first book – as well as a treasury of satirical metaphors and allusions that expose human and societal flaws in general and those of the English nobility in particular. The novel is an answer to Robinson Crusoe – it mocks Defoe's protagonist's too-good-to-be-true human aptness and reason. While some might find Swift's modus operandi misanthropic, others will see him as a pragmatist who exemplifies how the excesses and polarities are detrimental and yet inescapable. Silly and bizarre, thought-provoking and alarming, this work is meant to be read and re-read as equally a jolly story and a philosophical or political collage of insights. Jonathan Swift (1667-1745) was a largely satirical author, journalist and priest born in Ireland. He received his education at Trinity College Dublin and later a Masters degree at Oxford. Swift often visited London and became a politically keen pamphleteer. He also edited a Tory newspaper The Examiner between 1710–14 and was a part of the so-called Scriblerus Club, which included the most outstanding Augustan literati such as Alexander Pope and John Gay. Swift was unable to advance to the position he anticipated within the Church of England as the misinterpretation of his 1704 work A Tale of a Tub came to haunt him stigmatising Swift as a profane author. Consequently, he had to exile back to Ireland. Among his essays, the most notable piece is a later work A Modest Proposal (1729), which stands out for its sharp satire of the Irish upper classes' ignorance and disregard for the impoverished. The author is known worldwide, however, for his novel Gulliver's Travels (1726) – a tale widely admired for its nuance and allegorical potency. .
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