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A HUNDRED YEARS OF JAPANESE FILM:  A Concise History, with a Selective  Guide to
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A HUNDRED YEARS OF JAPANESE FILM: A Concise History, with a Selective Guide to Dvds and Videos Paperback - 2005

by Richie, Donald; Fprward by Paul Schrader

  • Used
  • Fine
  • Paperback

Description

Kodansha USA. Fine. 2005. 2nd Edition, revised and expanded. Paperback. 4770029950 . Clean and pristine, with no signs of any prior use or wear. Fast shipping, with tracking number provided. ; 8.9 X 6.0 X 1.1 inches; 319 pages .
Used - Fine
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Details

  • Title A HUNDRED YEARS OF JAPANESE FILM: A Concise History, with a Selective Guide to Dvds and Videos
  • Author Richie, Donald; Fprward by Paul Schrader
  • Binding Paperback
  • Edition 2nd Edition, revised and expanded
  • Condition Used - Fine
  • Pages 317
  • Volumes 1
  • Language ENG
  • Publisher Kodansha USA, New York
  • Date 2005
  • Illustrated Yes
  • Bookseller's Inventory # 42180
  • ISBN 9784770029959 / 4770029950
  • Weight 1.27 lbs (0.58 kg)
  • Dimensions 8.96 x 6.16 x 1.03 in (22.76 x 15.65 x 2.62 cm)
  • Dewey Decimal Code 791.430

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First line

Film began in Japan, as in most countries, during the last few years of the nineteenth century.

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About the author


Former Curator of Film at the New York Museum of Modern Art, DONALD RICHIE has written some forty books on Japan and its people, including definitive works on the Japanese film directors Kurosawa and Ozu. The film version of his travel classic, The Inland Sea, has been shown on PBS and won several prizes at international film festivals, as well as the National Geographic Earth Award. Public People, Private People, his portraits of famous and far-from-famous Japanese, received praise from many quarters. Of Richie's two collections of essays, A Lateral View and Partial Views, Susan Sontag said: "Donald Richie writes about Japan with an unrivaled range, acuity, and wit."
His latest book is The Japan Journals: 1947-2004.

A well-known director (American Gigolo, Affliction) and screenwriter (Taxi Driver, The Last Temptation of Christ), PAUL SCHRADER also has a strong feeling for Japan and its films. Not only did he write and direct Mishima, considered by many to be his masterpiece, he also contributed to the very first appreciation of the Japanese yakuza film genre and wrote the seminal Transcendental Style in Film: Ozu, Bresson, Dreyer.