Skip to content

Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in
Stock Photo: Cover May Be Different

Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris Paperback - 1999

by McClellan, Andrew

  • Used
  • Acceptable
  • Paperback

Description

University of California Press, 1999. Paperback. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
Used - Acceptable
NZ$29.08
FREE Shipping to USA Standard delivery: 4 to 8 days
More Shipping Options
Ships from ThriftBooks (Washington, United States)

About ThriftBooks Washington, United States

Biblio member since 2018
Seller rating: This seller has earned a 4 of 5 Stars rating from Biblio customers.

From the largest selection of used titles, we put quality, affordable books into the hands of readers

Terms of Sale: 30 day return guarantee, with full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged.

Browse books from ThriftBooks

Details

  • Title Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris
  • Author McClellan, Andrew
  • Binding Paperback
  • Edition Reprint
  • Condition Used - Acceptable
  • Pages 302
  • Volumes 1
  • Language ENG
  • Publisher University of California Press, Berkeley, California
  • Date 1999
  • Features Bibliography, Index
  • Bookseller's Inventory # G0520221761I5N10
  • ISBN 9780520221765 / 0520221761
  • Weight 1.07 lbs (0.49 kg)
  • Dimensions 8.97 x 6.03 x 0.69 in (22.78 x 15.32 x 1.75 cm)
  • Themes
    • Chronological Period: 18th Century
    • Cultural Region: French
  • Library of Congress subjects Musee du Louvre, Art and state - France - History - 18th
  • Library of Congress Catalog Number 99014254
  • Dewey Decimal Code 708.436

From the publisher

Founded in the final years of the Enlightenment, the Louvre-with the greatest collection of Old Master paintings and antique sculpture assembled under one roof-became the model for all state art museums subsequently established. Andrew McClellan chronicles the formation of this great museum from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire. More than a narrative history, McClellan's account explores the ideological underpinnings, pedagogic aims, and aesthetic criteria of the Louvre. Drawing on new archival materials, McClellan also illuminates the art world of eighteenth-century Paris.

Media reviews

Citations

  • New York Review of Books, 11/19/2009, Page 30

About the author

Andrew McClellan is Associate Professor and Chair in the Department of Art and Art History at Tufts University.