Konstruktsia Arkhimekamurnik i Mashinn'k Form (Construction of Architectural Forms and Machines) by Tchernikhov, Jacob

Canada: Douglas & McIntyre / Vancouver Art Gallery, 2002. Book. Illus. by Hughes, E.J.. Fine. Hardcover. Signed by Author(s). First Printing. 4to - over 9¾" - 12" tall. Signed by E.J. Hughes upon title page. 226 pages. Index of works. Chronology. Selected bibliography. Oblong 11" x 12". "Lavishly illustrated with 100 full colour and 25 black-and-white reproductions of prints, drawings and paintings, this is the first full-scale volume to honour the artistic life and work of E.J. Hughes from the start of his long career in the 1930s to the present... His unique talent for depicting the landscape in a way that both he and viewers believe it should be, rather than the way it actually is, enables us to experience and understand place and nature in new and deeper ways." - from dust jacket. Clean, bright and unmarked with very light wear. Dust jacket now preserved in glossy new archival-grade Brodart. A marvelous gift for any devotee of E.J. Hughes and his… Read More

New York: Oxford University Press, 1978. Boldly Signed by Rem Koolhaas on a large sheet (6" x 8") of archival Arches paper, laid into the book First edition / First printing. Pink paper-covered boards. Fine in very near fine dust jacket with light wear to the edges, an outstanding copy of a scarce title. Rem Koolhaas is the Pritzker Prize Winner for 2000.

Beautifully signature-bound in publisher's raw tan linen; front board & spine decoratively lettered; decorative endpapers. Generally, a very good or better set with signature satiric & anarchistic illustrations. One of the most important illustrated radical periodicals. Artists include but are not limited to: A. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Valery Muller, Hermann-Paul, Leonetto Cappiello, Jules Cheret, Juan Gris, Jules-Alexandre Grun, Jossot, Frantisek Kupka, Paul Iribe, Theophile-Alexandre Steinlen, Orazi, Adrien Barrere, Poulbot, H. G. Ibels, Kees van Dongen, Armand Gallo, Ricardo Flores, and many others. Being a periodical that did not shy away from less attractive topics, they covered such topics as crime, economy, leisure and travel, politics, current events, international relations, religion, health and even the Press itself. Color and black and white illustrations copiously throughout. Vol. 1, 2, and 9: front board and spine are beginning to detach but are still sturdy. 10 1/4… Read More

Very good complete suite of 21 aquatint views of Paris in the years of the Bourbon Restoration.Lively collection of Parisian scenes showing the sights (parks, bridges, catacombs, morgue, swimming pool, etc.), the people (tradesmen, famous characters, itinerant merchants, street performers) and events (festivals, military rituals, religious processions). A good selection of post-Napoleonic costume too.First published in parts in oblong folio with the title A Tour of Paris in 1822, this is the first collected edition with letterpress and the title A Tour Through Paris. Plates dated 1822 and 1824.The illustrations are unsigned but accredited to the French artist Victor Auver. Four plates previously appeared in Richard Brinsley Peake's The characteristic costume of France, (1816): Itinerants on the Boulevards, Street Characters (as Water Carriers), The Catacombs and La Morgue.The plates depict: Distribution of wine on the morning of St. Louis; The voitures (coach-drivers) of Versailles; The blind man… Read More

A very good run of the first five volumes from the New Series of this very rare botanical.

Complete with 240 handcoloured botanical plates by Worthington George Smith (212) and Frederick William Burbidge (28)

Flowers include many species of elegant orchids, roses, camellias, dahlias, hyacinths, rhododendrons, pansies, geraniums, and many other popular Victorian garden flowers.

Bernard Quaritch in a General Catalogue of Books in 1874 praises the series for its "beautifully coloured plates" and notes it was already "very scarce."

Five volumes edited by Henry Honywood Dombrain (1,2), Worthington George Smith (3,4) and Frederick William Burbidge (5), published from 1872 to 1876. (Volumes 11 to 15 in the complete series).

The Floral Magazine launched in 1861 and introduced exotic flowers from tropical lands as well as hybrids raised in British nurseries. The lithographic plates were dynamic, full-page botanical illustrations in large format Royal or Imperial Octavo size. Unlike the French and… Read More

London. The Shakespeare Press, by W. Nichol, for John Major, Fleet-Street. 1828. Lavishly bound in full scarlet tri-gilt ruled straight grain morocco. Gilt-ruled spine compartments with ornate gilt-tooled fleural motifs. Gilt-ruled raised bands. Gilt titles. Exceptionally ornate gilt-tooled Inner Dentelles. Marbled endsheets. t.e.g. 4to. 6.5" x 10.0". Illustrated throughout with full page Copper Plate Engravings. The most authoritative work on early English painting, here presented in a most breathtaking binding. Very Fine flawless set.

Vinegia: Vincenzo Vaugris. [Architettura-Prima edizione] (cm.16,5) ottima piena pergamena sec. XVIII. Titolo calligrafato al dorso.-- cc. 12 nn., (di cui l' ultima bianca), cc. 248, c. 1 con la marca tipografica. La dedica del traduttore Pietro Lauro Modenese è a Bonifacio Bevilacqua. prima edizione in qualsiasi lingua moderna e prima traduzione italiana di questo capolavoro dell' architettura rinascimentale. L' Editio Princeps del " De Re Aedificatoria " apparve nel 1485 a Firenze e ripropone in dieci libri la struttura del testo di Vitruvio. I primi tre libri riguardano il progetto e l' esecuzione; nel 4° e 5° si esaminano le grandi opere come città, ponti ecc. Nell' 8° e 9° si gtratta dell' apparato ornamentale, nel 10° si tratta di restauro e idraulica. Opera fondamentale non solo per l' architettura ma anche per il pensiero rinascimentale nel suo insieme. Qualche lieve traccia di polvere alla prima e ultima carta, altrimenti… Read More

Paris: Javal and Bordeaux, 1930. Limited Edition. JOUVE, Paul. Illustrated by one of the leading painters in France, this superb work brings Kipling's classic Jungle Book story into the realm of fine 20th century French publishing. Limited edition of 125 copies, bound in snakeskin-style folding case, protected by matching slipcase (some wear), 340 mm x 265 mm, 130 unbound pages as issued, 21 plates, printed on imperial Japan paper, an excellent copy.

Roma: Antonio de Rossi, 1730. First Edition — Primera edición. Hardcover — Tapa dura. 250x190mm. (9¾x7½").. Roma, Antonio de Rossi, 1730-1736. 2 volúmenes. En 4º (250 x 190)mm. -I: (24), 330, (6) pp. -II: (16), 560, (6) pp. Portadillas y portadas en ambos volúmenes impresas en rojo y negro. Numerosas iniciales grabadas en madera. Encuadernación de la época en holandesa piel color oliva con puntas, tejuelo en las lomeras y decoración dorada. Primera edición de este apreciado trabajo que contiene una biografía de artistas italianos desde el siglo XVII, excluyendo a las personas vivas, siendo Bernini la única omisión notable. La primera gran obra de la historiografía artística italiana del siglo dieciocho. Hay un cambio interesante de énfasis entre el primer y el segundo volumen. En el primero, Pascoli alaba la modernidad y el genio y admira la fecundidad del siglo XVII, mientras que en el segundo advierte sobre los peligros de la imaginación y recomienda seguir a los antiguos. El… Read More

Teramachi Nijo, Kyoto, Japan : Yamada Unsodo (37) pages held together with 2 brads top end. 35 pages with tissue guards over multiple lovely woodblock prints, either 96 or 102 depending on how one repeated image is counted. With an additional full page black and silver woodblock print on rice paper (9" x 12 1/2") laid in. No date (in English) , circa 1902-1905. Laid into original folio black paper covered boards printed in silver Art Deco design, with title, artist and publisher printed in English front and back. Front and back pages printed in Japanese. Very Good, cloth at spine torn at top and bottom edges, rubbing to boards at edges. Some tissue guards creased or torn, the woodblock prints are all bright and Fine. Kamisaka Sekka (1866-1942) was aan important early 20th c. Japanese artist, known as the father of modern Japanese design and the last great master of the Rinpa traditional school of art. RARE, one copy found in current commerce ( lacking the additional woodblock print) and 8… Read More