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Ludwig van Beethoven: Approaches to His Music
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Ludwig van Beethoven: Approaches to His Music Hardcover - 1991

by Dahlhaus, Carl

  • Used

Description

Oxford University Press. Used - Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
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Details

  • Title Ludwig van Beethoven: Approaches to His Music
  • Author Dahlhaus, Carl
  • Binding Hardcover
  • Edition First Edition
  • Condition Used - Good
  • Pages 282
  • Volumes 1
  • Language ENG
  • Publisher Oxford University Press, Oxford
  • Date 1991-08
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • Bookseller's Inventory # Z1-B-011-01136
  • ISBN 9780198161486 / 0198161484
  • Weight 1.51 lbs (0.68 kg)
  • Dimensions 9.54 x 6.41 x 0.95 in (24.23 x 16.28 x 2.41 cm)
  • Library of Congress subjects Beethoven, Ludwig van - Criticism and
  • Library of Congress Catalog Number 90022249
  • Dewey Decimal Code 780.92

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Phatpocket Limited is a world class secondhand bookstore located in the Hertfordshire countryside in the United Kingdom. We specialize in textbooks across an enormous variety of subjects. We aim to provide a low cost source of high quality textbooks to the academic community. We also have a sizable collection of rare and collectible books.

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From the rear cover

In this volume, the author combines interpretations of individual works which go into issues of composition and musical history, instead of merely duplicating in words what can already be read in the scores.