Nejd qit'asi mas'alasi (The question of the terretory of Nejd) published by the Ottoman sublim port for the official use by Official report - 1918

Hardcover. A unique look at human sexuality and literary Romantic love in the early part of the twentieth century during the colonial and modernist eras. As noted by the famous French philosopher Michel Foucault in his "repressive hypothesis," the age of Victorian repression clearly produced non-traditional expressions of lust. The epistolary consists of an original diary and correspondence between two lovers from 1912 to approximately 1916. It is written primarily in English with some excerpts in Italian. The primary diarist is presumed to be an Italian officer during the colonial era of the early 20th century involving Italy, Britain and the "Mad Mullah" in the Benadir region of East Africa. The other correspondent is probably a British lady living in Tuscany at the time. The epistolary includes more than one hundred original drawings of various sexual acts, most of which are in color and include detailed descriptions of the scenes depicted. Some images are watercolors, some pastels, and others are… Read More

New York: Harper & Brothers, 1943. The author's original hand-corrected typescript for his most important work, "Journey in the Dark," which won the Pulitzer Prize in 1944. Donated by Flavin to the US Treasury Department "to help the war financing campaign," with a certificate from "The Books and Authors War Bond Committee" dated May, 1945. This typescript purchased by or for Seton Hill College in Greensburg, PA, as printed on the certificate. A note in the author's hand reads as follows: "This is the original MS of "Journey in The Dark," as I wrote it at the rate of about 500 words a day between April 1941 and July 1943. I compose on a typewriter, and though I may write a page a dozen times, when I finally leave it, it is finished. Indeed, long before this book was finished, it was going into galleys. I use loose leaf paper - keeping the work in binders as it progresses. Martin Flavin | May 15th 1944." Two cover sheets typed by the publisher with the title and list of other works by Flavin… Read More

N.p. [London]: N.p. 1967-8. A small quantity of original typescripts, printed typescripts and photocopied typescripts, many secured with staple to top left corner, and many with handwritten amendments, additions and deletions. Housed in a blue card folder bearing a typed white paper label label reading TERRY JONES & MIKE PALIN. Some wear and toning consistent with their age, staples mostly rusted, otherwise in near fine condition. A SMALL QUANTITY OF ORIGINAL, PRINTED AND PHOTOCOPIED TYPESCRIPTS OF SKETCHES WRITTEN BY TERRY JONES AND MICHAEL PALIN FOR FROST ON SUNDAY AND THE FROST REPORT, WITH EXTENSIVE CORRECTIONS, AMENDMENTS AND REWRITES BY BOTH. Terry Jones and Michael Palin first met as undergraduates at Oxford and, after graduating, began writing together for TV comedy shows. All the future Pythons save Terry Gilliam worked together for the first time on The Frost Report (1966-7), which also featured, both as writers and performers, Ronnie Barker and Ronnie Corbett. The show ran for… Read More

Cannes. 1966. NP. 1966. Quarto (285mm x 233mm). 20 typed sheets in French (rectos only), legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album, with each sheet in a separate clear plastic file. In excellent condition, the final page a little creased and with minor loss to right-hand side, affecting one letter. Overall fresh and clean. ------ A superb unpublished and heavily corrected manuscript in French, in which Brassai recounts his visit to Picasso, a long-standing friend, at his home near Cannes. Brassai, who photographed much of Picasso's work in the 1940s, had published Conversations with Picasso in 1964, in which he created an intimate portrait of Picasso, covering their friendship and artistic collaboration, and recording each of their meetings with minute detail. Picasso said of the volume, "Read this book if you want to understand me." This account is written in a similar style, and during the course of the afternoon, Picasso speaks about his nostalgia… Read More

Handwritten. As New. Hardcover. 12mo - over 6¾ - 7¾" tall. 118 PP, VERY FINE ARABIC TA'LIQ SCRIPT WITH GOLDEN DOTS BENEETH THE PROVERBS. FINE OTTOMAN STYLE HEADING ILLUMINATION IN BRIGHT GOLD AND NATURAL COLORS. ALL PAGES OUTRULED IN GOLD. CHAPTER AND CEGNIFICANT WORDS IN RED. MARGINAL NOTES IN FINE TA'LIQ SCRIPT. COLOPHON WITH SCRIBE NAME: MUHAMMAD B. AHMAD. OWNERSHIP ON THE FIRST PAGE AND SMALL TUGRA. THIS WORK WAS MAINLY WRITTEN FOR THE OTTOMAN SULTAN MURAD KHAN B. SELIM KHAN B. SULEYMAN KHAN. CONTEMPORARY OTTOMAN STYLE BINDING. 12th - 18th C. SCARCELY TO BE EXIST ON THIS SUBJECT. 0.

Hardcover. A unique look at human sexuality and literary Romantic love in the early part of the twentieth century during the colonial and modernist eras. As noted by the famous French philosopher Michel Foucault in his "repressive hypothesis," the age of Victorian repression clearly produced non-traditional expressions of lust. The epistolary consists of an original diary and correspondence between two lovers from 1912 to approximately 1916. It is written primarily in English with some excerpts in Italian. The primary diarist is presumed to be an Italian officer during the colonial era of the early 20th century involving Italy, Britain and the "Mad Mullah" in the Benadir region of East Africa. The other correspondent is probably a British lady living in Tuscany at the time. The epistolary includes more than one hundred original drawings of various sexual acts, most of which are in color and include detailed descriptions of the scenes depicted. Some images are watercolors, some pastels, and others are… Read More

New York: Harper & Brothers, 1943. The author's original hand-corrected typescript for his most important work, "Journey in the Dark," which won the Pulitzer Prize in 1944. Donated by Flavin to the US Treasury Department "to help the war financing campaign," with a certificate from "The Books and Authors War Bond Committee" dated May, 1945. This typescript purchased by or for Seton Hill College in Greensburg, PA, as printed on the certificate. A note in the author's hand reads as follows: "This is the original MS of "Journey in The Dark," as I wrote it at the rate of about 500 words a day between April 1941 and July 1943. I compose on a typewriter, and though I may write a page a dozen times, when I finally leave it, it is finished. Indeed, long before this book was finished, it was going into galleys. I use loose leaf paper - keeping the work in binders as it progresses. Martin Flavin | May 15th 1944." Two cover sheets typed by the publisher with the title and list of other works by Flavin… Read More

N.p. [London]: N.p. 1967-8. A small quantity of original typescripts, printed typescripts and photocopied typescripts, many secured with staple to top left corner, and many with handwritten amendments, additions and deletions. Housed in a blue card folder bearing a typed white paper label label reading TERRY JONES & MIKE PALIN. Some wear and toning consistent with their age, staples mostly rusted, otherwise in near fine condition. A SMALL QUANTITY OF ORIGINAL, PRINTED AND PHOTOCOPIED TYPESCRIPTS OF SKETCHES WRITTEN BY TERRY JONES AND MICHAEL PALIN FOR FROST ON SUNDAY AND THE FROST REPORT, WITH EXTENSIVE CORRECTIONS, AMENDMENTS AND REWRITES BY BOTH. Terry Jones and Michael Palin first met as undergraduates at Oxford and, after graduating, began writing together for TV comedy shows. All the future Pythons save Terry Gilliam worked together for the first time on The Frost Report (1966-7), which also featured, both as writers and performers, Ronnie Barker and Ronnie Corbett. The show ran for… Read More

Cannes. 1966. NP. 1966. Quarto (285mm x 233mm). 20 typed sheets in French (rectos only), legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album, with each sheet in a separate clear plastic file. In excellent condition, the final page a little creased and with minor loss to right-hand side, affecting one letter. Overall fresh and clean. ------ A superb unpublished and heavily corrected manuscript in French, in which Brassai recounts his visit to Picasso, a long-standing friend, at his home near Cannes. Brassai, who photographed much of Picasso's work in the 1940s, had published Conversations with Picasso in 1964, in which he created an intimate portrait of Picasso, covering their friendship and artistic collaboration, and recording each of their meetings with minute detail. Picasso said of the volume, "Read this book if you want to understand me." This account is written in a similar style, and during the course of the afternoon, Picasso speaks about his nostalgia… Read More

Handwritten. As New. Hardcover. 12mo - over 6¾ - 7¾" tall. 118 PP, VERY FINE ARABIC TA'LIQ SCRIPT WITH GOLDEN DOTS BENEETH THE PROVERBS. FINE OTTOMAN STYLE HEADING ILLUMINATION IN BRIGHT GOLD AND NATURAL COLORS. ALL PAGES OUTRULED IN GOLD. CHAPTER AND CEGNIFICANT WORDS IN RED. MARGINAL NOTES IN FINE TA'LIQ SCRIPT. COLOPHON WITH SCRIBE NAME: MUHAMMAD B. AHMAD. OWNERSHIP ON THE FIRST PAGE AND SMALL TUGRA. THIS WORK WAS MAINLY WRITTEN FOR THE OTTOMAN SULTAN MURAD KHAN B. SELIM KHAN B. SULEYMAN KHAN. CONTEMPORARY OTTOMAN STYLE BINDING. 12th - 18th C. SCARCELY TO BE EXIST ON THIS SUBJECT. 0.