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Noa Noa: The Tahitian Journal
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Noa Noa: The Tahitian Journal Trade paperback - 1985

by Paul Gauguin (Author); O.F. Theis (Translated from the French by)

  • Used
  • Paperback

Description

New York: Dover Publications, Inc., 1985. Dover Edition 1985 . Trade Paperback. Like New. 8vo or 8° (Medium Octavo): 7¾" x 9¾" tall. Paul E. Kennedy (Cover Design). 65 pp. Clean, fresh, sharp copy with very light shelfwear.
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Details

  • Title Noa Noa: The Tahitian Journal
  • Author Paul Gauguin (Author); O.F. Theis (Translated from the French by)
  • Illustrator Paul E. Kennedy (Cover Design)
  • Binding Trade Paperback
  • Edition Dover Edition 1985
  • Condition New
  • Pages 96
  • Volumes 1
  • Language ENG
  • Publisher Dover Publications, Inc., New York
  • Date 1985
  • Illustrated Yes
  • Features Illustrated
  • Bookseller's Inventory # 1iiiCf0065
  • ISBN 9780486248592 / 0486248593
  • Weight 0.31 lbs (0.14 kg)
  • Dimensions 8.44 x 5.4 x 0.27 in (21.44 x 13.72 x 0.69 cm)
  • Library of Congress subjects Tahiti (French Polynesia: Island), Gauguin, Paul - Diaries
  • Library of Congress Catalog Number 84021058
  • Dewey Decimal Code B

Summary

(Lecteur, sous les yeux de qui l'oeuvre tahitienne de Paul Gauguin passa peut-etre inapercue tant on a peu de temps, a Paris et ailleurs, pour penser a soi, a son propre developpement, a ses plus profitables plaisirs! elle est la, je t'y ramene: le point de vue est en elle, des songeries que voici.) Dans ces toiles gonflees encore des souffles lointains qui nous les apporterent, vivantes d'une vie a la fois elementaire et fastueuse, c'est la serenite de l'atmosphere qui donne a la vision sa profondeur, c'est la simplification des lignes qui projette les formes dans l'infini, c'est du mystere que l'intarissable lumiere, en le designant, irradie, revelant: une race.

From the rear cover

In 1894, Paul Gauguin came to the conclusion that European culture in general, and French culture in particular, was spiritually and morally bankrupt. So he left. On the eighth of June 1894 he arrived in Tahiti, an island of tropical warmth, impenetrable jungles, and--most importantly for Gauguin--unspoiled, undecadent, un-European, and extremely beautiful people.He luxuriated in this paradise for two years, producing some of this best and best-known paintings. But Gauguin left us another masterpiece that has languished in obscurity until now: his journal and the woodblocks he made to accompany it.