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Open Closed Open: Poems

Open Closed Open: Poems Paperback / softback - 2006

by Yehuda Amichai

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Details

  • Title Open Closed Open: Poems
  • Author Yehuda Amichai
  • Binding Paperback / softback
  • Edition Reprint
  • Condition New
  • Pages 204
  • Volumes 1
  • Language ENG
  • Publisher Ecco Press, New York
  • Date 2006-11-01
  • Features Table of Contents
  • Bookseller's Inventory # B9780156030502
  • ISBN 9780156030502 / 0156030500
  • Weight 0.5 lbs (0.23 kg)
  • Dimensions 7.98 x 5.38 x 0.59 in (20.27 x 13.67 x 1.50 cm)
  • Themes
    • Chronological Period: Ancient (To 499 A.D.)
    • Cultural Region: Middle Eastern
    • Ethnic Orientation: Jewish
  • Library of Congress Catalog Number 00-23537
  • Dewey Decimal Code 892.416

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Summary

In poems marked by tenderness and mischief, humanity and humor, Yehuda Amichai breaks open the grand diction of revered Jewish verses and casts the light of his own experi­ence upon them. Here he tells of history, a nation, the self, love, and resurrection. Amichai’s last volume is one of medi­tation and hope, and stands as a testament to one of Israel’s greatest poets.
 
Open closed open. Before we are born, everything is open
in the universe without us. For as long as we live, everything is closed
within us. And when we die, everything is open again.
Open closed open. That’s all we are.


from “I WASN’T ONE OF THE SIX MILLION:
   AND WHAT IS MY LIFE SPAN? OPEN CLOSED OPEN”

First line

On my desk there is a stone with the word "Amen" on it, a triangular fragment of stone from a Jewish graveyard destroyed many generations ago.

From the rear cover

The last collection from one of the twentieth century's greatest poets

Yehuda Amichai emigrated with his parents to Jerusalem in 1935. There he became one of the first poets to write in colloquial Hebrew, writing fourteen books and winning the Israel Prize in 1982. Open Closed Open was his last collection of poetry. It is a testament to all that he represented: the beauty and honor of living, the wonder and vibrancy of language, the transformative power of love.

Praise for Yehuda Amichai and Open Closed Open

"Poets have always talked reverently about unlocking the human heart, but when I read Amichai I wonder who before him actually managed it."--Ted Hughes
"Amichai's splendid poems, refined and cast in the desperate foundries of the Middle East, where life and faith are always at stake, exhibit a majestic and Biblical range of the topography of the soul."--Anthony Hecht
"It is the dream of most poets to become a vox populi . . . Yehuda Amichai is one."--The New York Times Book Review
"Once one has read [Amichai's] poems, one can never forget them--there can be so much life and truth in sixteen lines. Amichai is a master."--Octavio Paz

YEHUDA AMICHAI (1924-2000) is considered one of the great poets of the twentieth century. The recipient of numerous awards, his work has been translated into more than thirty-seven languages.

CHANA BLOCH is the author of three books of poems. She lives in California.
CHANA KRONFELD is professor of Hebrew, Yiddish, and comparative literature at the University of California, Berkeley. She lives in California.
"

Categories

Excerpt

I Wasn’t One of the Six Million:
And What Is My Life Span?
Open Closed Open
1
My life is the gardener of my body. The brain—a hothouse closed tight
with its flowers and plants, alien and odd
in their sensitivity, their terror of becoming extinct.
The face—a formal French garden of symmetrical contours
and circular paths of marble with statues and places to rest,
places to touch and smell, to look out from, to lose yourself
in a green maze, and Keep Off and Don’t Pick the Flowers.
The upper body above the navel—an English park
pretending to be free, no angles, no paving stones, naturelike,
humanlike, in our image, after our likeness,
its arms linking up with the big night all around.
And my lower body, beneath the navel—sometimes a nature preserve,
wild, frightening, amazing, an unpreserved preserve,
and sometimes a Japanese garden, concentrated, full of
forethought. And the penis and testes are smooth
polished stones with dark vegetation between them,
precise paths fraught with meaning
and calm reflection. And the teachings of my father
and the commandments of my mother
are birds of chirp and song. And the woman I love
is seasons and changing weather, and the children at play
are my children. And the life my life.
2
I’ve never been in those places where I’ve never been
and never will be, I have no share in the infinity of light-years and
dark-years,
but the darkness is mine, and the light, and my time
is my own. The sand on the seashore—those infinite grains
are the same sand where I made love in Achziv and Caesarea.
The years of my life I have broken into hours, and the hours into minutes
and seconds and fractions of seconds. These, only these,
are the stars above me
that cannot be numbered.
3
And what is my life span? I’m like a man gone out of Egypt:
the Red Sea parts, I cross on dry land,
two walls of water, on my right hand and on my left.
Pharaoh’s army and his horsemen behind me. Before me the desert,
perhaps the Promised Land, too. That is my life span.
4
Open closed open. Before we are born, everything is open
in the universe without us. For as long as we live, everything is closed
within us. And when we die, everything is open again.
Open closed open. That’s all we are.
5
What then is my life span? Like shooting a self-portrait.
I set up the camera a few feet away on something stable
(the one thing that’s stable in this world),
I decide on a good place to stand, near a tree,
run back to the camera, press the timer,
run back again to that place near the tree,
and I hear the ticking of time, the whirring
like a distant prayer, the click of the shutter like an execution.
That is my life span. God develops the picture
in His big darkroom. And here is the picture:
white hair on my head, eyes tired and heavy,
eyebrows black, like the charred lintels
above the windows in a house that burned down.
My life span is over.
6
I wasn’t one of the six million who died in the Shoah,
I wasn’t even among the survivors.
And I wasn’t one of the six hundred thousand who went out of Egypt.
I came to the Promised Land by sea.
No, I was not in that number, though I still have the fire and the smoke
within me, pillars of fire and pillars of smoke that guide me
by night and by day. I still have inside me the mad search
for emergency exits, for soft places, for the nakedness
of the land, for the escape into weakness and hope,
I still have within me the lust to search for living water
with quiet talk to the rock or with frenzied blows.
Afterwards, silence: no questions, no answers.
Jewish history and world history
grind me between them like two grindstones, sometimes
to a powder. And the solar year and the lunar year
get ahead of each other or fall behind,
leaping, they set my life in perpetual motion.
Sometimes I fall into the gap between them to hide,
or to sink all the way down.
7
I believe with perfect faith that at this very moment
millions of human beings are standing at crossroads
and intersections, in jungles and deserts,
showing each other where to turn, what the right way is,
which direction. They explain exactly where to go,
what is the quickest way to get there, when to stop
and ask again. There, over there. The second
turnoff, not the first, and from there left or right,
near the white house, by the oak tree.
They explain with excited voices, with a wave of the hand
and a nod of the head: There, over there, not that there, the other there,
as in some ancient rite. This too is a new religion.
I believe with perfect faith that at this very moment.
 
Compilation copyright © 2000 by Yehuda Amichai
Copyright © 2000 by Chana Bloch and Chana Kronfeld
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Media reviews

“He is one of our great poets . . . once one has heard his quiet, even tones, precise, distanced and passionate, one never forgets them."-The Times Literary Supplement “Open Closed Open is the uncanny record of genuine inspiration. Happy is the man who has so much in his soul."-Leon Wieseltier “Poets have always talked reverently about unlocking the human heart, but when “I read Amichai I wonder who before him actually managed it."-Ted Hughes