Painting and Sculpture in France 1700-1789 (The Yale University Press Pelican Histor) by Sir Michael Levey - 1993-09-10

Yale University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Yale University Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Yale University Press, 1993. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Yale University Press. Used - Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardback. Very Good.

Yale University Press. Used - Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Yale University Press, September 1993. Hardcover. VG-/Good. used hardcover in a dust jacket. jacket is a bit worn about the edges and somewhat scuffed, but without any serious tears. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Yale University Press, September 1993. Oversized Hardcover . Very Good/Fair. Genius and talent combine to render both brilliant and varied the image of painting and sculpture in France in the last years of the ancien regime. The outpouring of creative activity and of inspired patronage, both public and private was then unparalleled elsewhere. Gifted exponents of sculpture include the Coustou, Michel-Ange Slodtz, and Caffieri, besides the better-known Falconet, Pigalle, and Houdon: their often monumental work provides a salutary reminder of the seriousness of intention in an age often still stereotyped as frivolous and lightweight. In painting, Restout, Vernet, Oudry and others were appreciated at least as much as Boucher, and portraiture, genre, and still life were all well served. The era may have opened with Watteau and the fete galante, but it closed with a revival of history painting, and with an artistic revolutionary in the person of David. Bringing new insights and information to bear on the… Read More

New Haven: Yale University Press, 1993. Hardcover. Mint, new in unopened shrink wrap and slipcase. Folio in a white slipcase (black spine); 318 p: illus (some color); 30 cm. Art, French -- 18th century -- History.

Yale University Press, 1993-02-01. Hardcover. Very Good. 3.0457 in x 29.3655 in x 22.4112 in. Clean tight illustrated hardcover in jacket. Very good book in a very good dust jacket.