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Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J.

Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson Paperback - 2002

by Williams, Linda

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Princeton University Press, 2002. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
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First line

In 1853, the year after she had become a celebrity with the publication of her novel Uncle Tom's Cabin, Harriet Beecher Stowe embarked upon a tour of Europe.

From the rear cover

"Playing the Race Card possesses all the boldness, high intelligence, and far-reaching revisionism one has come to expect from the author of the brilliant Hard Core and other path-breaking work in film studies. Linda Williams here insists on the general importance of the melodramatic mode to our understanding of the United States' ongoing racial predicament. Her arguments are extremely compelling, not least because she executes them with such thoroughgoing smartness and prodigious learning."--Eric Lott, University of Virginia

"Linda Williams's book is a beautifully written, meticulously researched, and conceptually lucid engagement with the genres of painful feeling that organize racial fantasy in the United States. It joins the works of Michael Rogin, Eric Lott, and Ann Douglas as a major statement about the founding conventions of representation and cross-racial encounter in the U.S. twentieth century."--Lauren Berlant, University of Chicago

"A tour de force of cultural analysis. The subject of Playing the Race Card is at once urgent and entertaining. Linda Williams's book is poised to do for film studies what Toni Morrison and others have so famously done for American literature: to reveal the ghost in the machine, the role of 'race' in the making of American popular culture."--Susan Gillman, University of California, Santa Cruz

"A strikingly accessible book that makes a timely appearance, now that discussions about race and representation have developed a heightened immediacy. Elegantly written and meticulously researched, this book combines scholarly rigor with clarity and insight."--Valerie Smith, University of California, Los Angeles

Media reviews

Citations

  • Qbr the Black Book Review, 11/01/2002, Page 31

About the author

Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley, where she directs the Film Studies Program. She is the author of Hard Core: Power, Pleasure, and the Frenzy of the Visible and Figures of Desire: A Theory and Analysis of Surrealist Film. Her edited volumes include Viewing Positions: Ways of Seeing Film and, with Christine Gledhill, Reinventing Film Studies.