Skip to content

Pleasuring Painting: Matisse's Feminine Representations (Twenty-Seventh of
Stock Photo: Cover May Be Different

Pleasuring Painting: Matisse's Feminine Representations (Twenty-Seventh of the Walter Neurath Memorial Lectures) Hardcover - 1996

by Elderfield, John

  • Used
  • Hardcover

Description

Thames & Hudson. Used - Very Good. 1996. Hardcover. Cloth, dj. Slight shelf wear. Very Good. (Subject: Art History).
Used - Very Good
NZ$14.15
NZ$5.83 Shipping to USA
Standard delivery: 10 to 28 days
More Shipping Options
Ships from Powell's Bookstores Chicago (Illinois, United States)

Details

About Powell's Bookstores Chicago Illinois, United States

Biblio member since 2005
Seller rating: This seller has earned a 5 of 5 Stars rating from Biblio customers.

Used, rare and out-of-print titles, specializing in academic and scholarly books. Independent bookstores in Chicago since 1970

Terms of Sale:

All orders subject to previous sale. Domestic Standard ships USPS Bound Printed Matter; Domestic Expedited ships UPS Ground; International ships via Air courier. All orders over $200.00 upgraded to UPS Ground without additional charge.

Browse books from Powell's Bookstores Chicago

From the rear cover

In 1913, outraged by Henri Matisse's painterly violations of the female body, students of the School of the Art Institute of Chicago found him guilty of "artistic murder" and "rapine" and proceeded to burn in effigy three of his works, including the Blue Nude of 1907. Since that time, Matisse's paintings of women have remained a source of deep controversy. In Pleasuring Painting, John Elderfield skillfully picks his way through the knotty politics of painterly pleasure, tracing the development of Matisse's feminine representations from Carmelina of 1903/4 through to the odalisques of the Nice period of the 1920s, offering a startling reinterpretation of some of the artist's best-known works. The author shows that Matisse was not, as his legend suggests, simply a painter of quintessentially male pleasures, but rather one who used his female models as a means of self-analysis and identification.

Categories