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Poetics  (Penguin Classics)
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Poetics (Penguin Classics) Trade paperback. - 1996

by Aristotle; Translated By Heath, Malcolm

  • Used
  • Paperback

In one of the most perceptive and influential works of criticism in Western literary history, third century B.C. Greek philosopher Aristotle examines the literature of his time, describing the origins of poetry as an imitative art and drawing attention to the distinctions between comedy and tragedy. Aristotle helped establish the foundations of Western philosophy, and his influence is evident in philosophical thought today.

Description

London: Penguin Classics. VG In Wraps. Pages Clean & Tight. Pages: 62.. 1996. Reprint. Trade Paperback..
Used - VG In Wraps. Pages Clean & Tight. Pages: 62.
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Details

  • Title Poetics (Penguin Classics)
  • Author Aristotle; Translated By Heath, Malcolm
  • Binding Trade Paperback.
  • Edition Reprint
  • Condition Used - VG In Wraps. Pages Clean & Tight. Pages: 62.
  • Pages 144
  • Volumes 1
  • Language ENG
  • Publisher Penguin Classics, London
  • Date 1996
  • Features Bibliography
  • Bookseller's Inventory # MASTER363735I
  • ISBN 9780140446364 / 0140446362
  • Weight 0.27 lbs (0.12 kg)
  • Dimensions 7.92 x 5.04 x 0.36 in (20.12 x 12.80 x 0.91 cm)
  • Ages 18 to UP years
  • Grade levels 13 - UP
  • Reading level 1410
  • Themes
    • Chronological Period: Ancient (To 499 A.D.)
    • Cultural Region: Greece
  • Library of Congress subjects Poetry, Aesthetics
  • Library of Congress Catalog Number 97138026
  • Dewey Decimal Code 808.2

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Summary

‘The plot is the source and the soul of tragedy’

In his near-contemporary account of Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduces into literary criticism such central concepts as mimesis (‘imitation’), hamartia (‘error’), and katharsis (‘purification’). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, centring on characters of heroic stature, idealized yet true to life. One of the most powerful, perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since.

Malcolm Heath’s lucid English translation makes the Poetics fully accessible to the modern reader. It is accompanied by an extended introduction, which discusses the key concepts in detail and includes suggestions for further reading.

From the publisher

Aristotle was born at Stageira, in the dominion of the kings of Macedonia, in 384 BC. For twenty years he studied at Athens in the Academy of Plato, on whose death in 347 he left, and, some time later, became tutor of the young Alexander the Great. When Alexander succeeded to the throne of Macedonia in 335, Aristotle returned to Athens and established his school and research institute, the Lyceum, to which his great erudition attracted a large number of scholars. After Alexander's death in 323, anti-Macedonian feeling drove Aristotle out of Athens, and he fled to Chalcis in Euboea, where he died in 322. His writings, which were of extraordinary range, profoundly affected the whole course of ancient and medieval philosophy, and they are still eagerly studied and debated by philosophers today. Very many of them have survived and among the most famous are the Ethics and the Politics.

First line

Aristotle was much admired in the ancient world for the elegance and clarity of his style.

From the rear cover

Aristotle's Poetics is one of the most powerful, perceptive and influential works of criticism in Western literary history. A penetrating, near-contemporary account of Greek tragedy, it demonstrates how the elements of plot, character and spectacle combine to produce 'pity and fear' - and why we derive pleasure from this apparently painful process. It introduces the crucial concepts of mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. It examines the mythological heroes, idealized yet true to life, whom Aeschylus, Sophocles and Euripides brought on to the stage. And it explains how the most effective plays rely on complication and resolution, recognitions and reversals. Essential reading for all students of Greek literature and of the many Renaissance and post-Renaissance writers who consciously adopted Aristotle as a model, the Poetics is equally stimulating for anyone interested in theatre today.

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About the author

Aristotle was born in 384BC. For twenty years he studied at Athens at the Academy of Plato, on whose death in 347 he left, and some time later became tutor to Alexander the Great. On Alexander's succession to the throne of Macedonia in 336, Aristotle returned to Athens and established his school and research institute, the Lyceum. After Alexander's death he was driven out of Athens and fled to Chalcis in Euboea where he died in 322. His writings profoundly affected the whole course of ancient and medieval philosophy.

Malcolm Heath has been Reader in Greek Language and Literature at Leeds University since 1991.