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Popular Music in Theory: An Introduction
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Popular Music in Theory: An Introduction Paperback - 1996

by Keith Negus

  • Used

Description

Wesleyan. Used - Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
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Details

  • Title Popular Music in Theory: An Introduction
  • Author Keith Negus
  • Binding Paperback
  • Edition Hardback
  • Condition Used - Good
  • Pages 256
  • Volumes 1
  • Language ENG
  • Publisher Wesleyan, Cambridge
  • Date November 1996
  • Features Bibliography
  • Bookseller's Inventory # Z1-C-044-01835
  • ISBN 9780745613185 / 0745613187
  • Weight 0.76 lbs (0.34 kg)
  • Dimensions 9.02 x 5.98 x 0.54 in (22.91 x 15.19 x 1.37 cm)
  • Dewey Decimal Code 781.64

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First line

This book has been written as a systematic attempt to outline, explain and provide a critical introduction to some of the major theoretical issues and debates in the study of contemporary popular music.

From the rear cover

"Popular Music in Theory "provides a critical introduction to the key theoretical issues which arise in the study of contemporary popular music.


This book is organized in a way that shows how popular music is created across a series of relationships that link together industry and audiences, producers and consumers. Starting from the dichotomy between production and consumption which characterizes much work on popular culture, Negus explores the equally significant social processes that intervene between and across the production-consumption divide, examining the ways that popular music is mediated by a series of technological, cultural, historical, geographical and political factors. This broad framework provides signposts to various tracks taken by the sounds and images of popular music, and also highlights distinctive theoretical routes into the study of contemporary popular music.


This volume is intended mainly for undergraduate and postgraduate students taking courses in sociology, media and communication studies, and cultural studies. However, it will also appeal to those who enjoy thinking and talking about popular music and who might like to delve a little deeper.

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