Popular Music in Theory: An Introduction Paperback - 1996
by Keith Negus
- Used
Description
Standard delivery: 14 to 21 days
Details
- Title Popular Music in Theory: An Introduction
- Author Keith Negus
- Binding Paperback
- Edition Hardback
- Condition Used - Good
- Pages 256
- Volumes 1
- Language ENG
- Publisher Wesleyan, Cambridge
- Date November 1996
- Features Bibliography
- Bookseller's Inventory # Z1-C-044-01835
- ISBN 9780745613185 / 0745613187
- Weight 0.76 lbs (0.34 kg)
- Dimensions 9.02 x 5.98 x 0.54 in (22.91 x 15.19 x 1.37 cm)
- Dewey Decimal Code 781.64
About Phatpocket Limited Essex, United Kingdom
Phatpocket Limited is a world class secondhand bookstore located in the Hertfordshire countryside in the United Kingdom. We specialize in textbooks across an enormous variety of subjects. We aim to provide a low cost source of high quality textbooks to the academic community. We also have a sizable collection of rare and collectible books.
We are dedicated to providing our customers with the highest standard of customer service in the bookselling business.
Books are usually shipped in 48 hours or less. All of our books have a 14 day no hassle money back guarantee unless stated otherwise in the book's description. Item must be returned in the exact same condition that it was received. Through our work with The Rainbow Centre and other Charity Partners, we have already given hundreds of young people in Sri Lanka and Africa the vital chance to get an education.
First line
From the rear cover
This book is organized in a way that shows how popular music is created across a series of relationships that link together industry and audiences, producers and consumers. Starting from the dichotomy between production and consumption which characterizes much work on popular culture, Negus explores the equally significant social processes that intervene between and across the production-consumption divide, examining the ways that popular music is mediated by a series of technological, cultural, historical, geographical and political factors. This broad framework provides signposts to various tracks taken by the sounds and images of popular music, and also highlights distinctive theoretical routes into the study of contemporary popular music.
This volume is intended mainly for undergraduate and postgraduate students taking courses in sociology, media and communication studies, and cultural studies. However, it will also appeal to those who enjoy thinking and talking about popular music and who might like to delve a little deeper.