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Popular Music in Theory: An Introduction (Music / Culture)
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Popular Music in Theory: An Introduction (Music / Culture) Paperback - 1996

by Negus, Keith

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Details

  • Title Popular Music in Theory: An Introduction (Music / Culture)
  • Author Negus, Keith
  • Binding Paperback
  • Edition First American E
  • Condition UsedVeryGood
  • Pages 249
  • Volumes 1
  • Language ENG
  • Publisher Wesleyan University Press, Middletown, Connecticut, U.S.A.
  • Date 1996-12
  • Bookseller's Inventory # 531ZZZ02EQHS_ns
  • ISBN 9780819563101 / 0819563102
  • Weight 0.95 lbs (0.43 kg)
  • Dimensions 8.95 x 5.94 x 0.77 in (22.73 x 15.09 x 1.96 cm)
  • Library of Congress subjects Popular culture - History - 20th century, Popular music - Social aspects
  • Library of Congress Catalog Number 96061301
  • Dewey Decimal Code 781.640

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From the rear cover

Popular Music in Theory provides a critical introduction to the key theoretical issues which arise in the study of contemporary popular music. The book is organized in a way that shows how popular music is created across a series of relationships that link together industry and audiences, producers and consumers. Starting from the dichotomy between production and consumption which characterizes much work on popular culture, Keith Negus explores the equally significant social processes that intervene between and across the production-consumption divide, examining the ways that popular music is mediated by a series of technological, cultural, historical, geographical, and political factors. This broad framework provides signposts to various tracks taken by the sounds and images of popular music, and also highlights distinctive theoretical routes into the study of contemporary popular music. This volume is intended mainly for undergraduate and postgraduate students taking courses in sociology, media and communication studies, and cultural studies. However, it will also appeal to those who enjoy thinking and talking about popular music and who might like to delve a little deeper.

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About the author

Keith Negus is Professor of Musicology, Goldsmith College, University of London.