Stock Photo: Cover May Be Different
Popular Theater and Society in Tsarist Russia Hardcover - 2002
by Swift, E. Anthony
- New
- Hardcover
Description
New
NZ$162.20
NZ$9.07
Shipping to USA
Standard delivery: 2 to 21 days
More Shipping Options
Standard delivery: 2 to 21 days
Ships from GridFreed LLC (California, United States)
Details
- Title Popular Theater and Society in Tsarist Russia
- Author Swift, E. Anthony
- Binding Hardcover
- Edition 1st Edition
- Condition New
- Pages 364
- Volumes 1
- Language ENG
- Publisher University of California Press, Berkeley, CA, U.S.A.
- Date 2002-10-07
- Features Bibliography, Index
- Bookseller's Inventory # Q-0520225945
- ISBN 9780520225947 / 0520225945
- Weight 1.57 lbs (0.71 kg)
- Dimensions 9.24 x 6.38 x 1.1 in (23.47 x 16.21 x 2.79 cm)
- Reading level 1810
-
Themes
- Chronological Period: 1851-1899
- Chronological Period: 1900-1919
- Cultural Region: Russian
- Library of Congress subjects Theater - Russia - History, Popular culture - Russia
- Library of Congress Catalog Number 2001005087
- Dewey Decimal Code 792
About GridFreed LLC California, United States
Biblio member since 2021
We sell primarily non-fiction, many new books, some collectible first editions and signed books. We operate 100% online and have been in business since 2005.
From the publisher
From the rear cover
"Swift captures the habits, inclinations, tastes, and uses of leisure time among Tsarist Russia's urban lower classes--in all their colorful complexity. He vividly presents the kaleidoscopic world of popular theater, where culture meets entertainment, where Shakespeare and Ostrovsky meet racy vaudeville, farce, and melodrama, and where social and cultural identities blur. His study is a carefully analyzed, superbly documented, and immensely readable exposition of how "popular culture" really worked in prerevolutionary Russia, and how the tastes of its consumers constantly stymied and conflicted with the visions of state, educated society, and radicals alike."--Richard Stites, Georgetown University
"The fullest and most interesting account of how the Russian public seized upon the theater as an art form, as entertainment, and as an instrument of popular education. Swift makes Ostrovsky, Stanislavsky, Chekhov, and Tolstoy come alive, bringing great clarity to the larger context in which Russia's great dramatists thought about theater, its audience, and its functions."--Jeffrey Brooks, author of When Russia Learned to Read: Literacy and Popular Literature, 1861-1917
"In this stimulating book, Anthony Swift shows how popular theater became a forum where all the weighty questions of Russia's future were discussed: Who were the Russian people, how should they be governed, and what should they believe?"--Lynn Mally, author of Revolutionary Acts: Amateur Theater and the Soviet State
"The fullest and most interesting account of how the Russian public seized upon the theater as an art form, as entertainment, and as an instrument of popular education. Swift makes Ostrovsky, Stanislavsky, Chekhov, and Tolstoy come alive, bringing great clarity to the larger context in which Russia's great dramatists thought about theater, its audience, and its functions."--Jeffrey Brooks, author of When Russia Learned to Read: Literacy and Popular Literature, 1861-1917
"In this stimulating book, Anthony Swift shows how popular theater became a forum where all the weighty questions of Russia's future were discussed: Who were the Russian people, how should they be governed, and what should they believe?"--Lynn Mally, author of Revolutionary Acts: Amateur Theater and the Soviet State