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The Postmodern Arts: An Introductory Reader (Critical Readers in Theory and
Stock Photo: Cover May Be Different

The Postmodern Arts: An Introductory Reader (Critical Readers in Theory and Practice) Paperback - 1995 - 1st Edition

by Wheale, N. (ed.)

  • Used
  • Paperback

Description

Routledge, 1995. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0415126118
Used: See description
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Details

  • Title The Postmodern Arts: An Introductory Reader (Critical Readers in Theory and Practice)
  • Author Wheale, N. (ed.)
  • Binding Paperback
  • Edition number 1st
  • Edition 1
  • Pages 314
  • Volumes 1
  • Language ENG
  • Publisher Routledge, London
  • Date 1995
  • Features Bibliography, Index
  • Bookseller's Inventory # 9901022
  • ISBN 9780415126113 / 0415126118
  • Weight 1.11 lbs (0.50 kg)
  • Dimensions 9.3 x 6.18 x 0.76 in (23.62 x 15.70 x 1.93 cm)
  • Library of Congress subjects Popular culture, Postmodernism
  • Library of Congress Catalog Number 94042950
  • Dewey Decimal Code 700

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From the publisher

For better or worse, modernism and postmodernism are now the two most comprehensive and influential terms applied to twentieth-century culture. The Postmodern Arts begins by establishing definitions of both words, while also demonstrating the inconsistencies and contradictions which are inherent within them.
As with all books in the Critical Readers in Theory and Practice series, the volume is divided into two halves: the first, a comprehensive and thorough introduction by the editor, offering a schematic survey of the major themes and positions taken in the debates around modernism and postmodernism. The second is a collection of pertinent essays grouped into four sections to demonstrate how the debates have been applied to specific cultural activities:
* Popular Culture
* Architecture and Visual Arts
* Literature
* Documentary Fil

First line

During the late 1960s a distracting advert was to be seen on the walls of bars and restaurants in Italy: it was an aerial photograph of St Mark's Square in Venice, where bird seed had been arranged in the shape of huge letters on the flagstones of the piazza so as to spell out COCA-COLA.

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