The Power of Black Music: Interpreting Its History from Africa to the United States by Samuel A. Floyd - 1995

Oxford University Press, USA, 1995-07-27. Hardcover. Good. 1.1024 9.4094 6.3780. Ex-library copy with the usual stamps, sticker, and markings.

Oxford University Press, Incorporated. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Oxford University Press, 1995-07-27. 1. hardcover. Used: Good.

Oxford University Press, Incorporated. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Oxford University Press. Used - Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.

NY: OXFORD UNIVERSITY PRESS. Fine. Hardcover. 1st Edition. 1995.

Oxford University Press, 1995-07-27. 1. hardcover. Used:Good.

Hard Cover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The The Power of Black Music: Interpreting Its History from Africa to the United States.

Oxford University Press, 1995-07-27. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

Hardback. New. Floyd has written a path-breaking book on the development of African-American music and its influence in America. He shows how African myths and ritual - especially the "ring-shout" dances that were ubiquitous in West Africa - have underlain the development of all black music in America. It puts black music - and American music in general - into a new and exciting perspective.