Public Relations by Winogrand, Garry - 1977

Druck und Verlag von Willhelm Knapp in Halle a.S.,1908. 4to. Fully illustrated throughout with mono and colour plates. Very good copy in original brown cloth with gilt lettering to front board and spine. Cloth a bit rubbed and gilt a bit faded but still readable. Overall a very good copy.:

Brookville, New York: Hillwood Art Gallery, 1989. SIGNED first edition. Softcover exhibition catalog. Published C.W. Post Campus, Long Island University, Brookville: Hillwood Art Gallery, 1989. 8vo. oblong wrappers, 10" x 9", 36pp., illustrated with b/w photos. Inscribed by Leipzig on title page: "To charlotte, with gratitude, Arthur Leipzig". Near fine. . Signed by Illustrator. 1st. Soft Cover. Near Fine/No Jacket, As Issued. 8vo.

Zurich: Gerber & Keller, 2011. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. Hardcover with linen in photo-illustrated dust jacket. Published in a limited edition of 250 numbered copies signed by the artist. This copy is no. 29. 115 color and b/w full page photos. With an original signed and numbered inkjet print. 30,5 x 24 cm. Scheurwater's sexually explicit, curious and smart research about herself. .

Artsept was a little-known periodical published in 1963 by the writer and film critic Raymond Bellour. Due to financial problems only three issues were published. With an editorial board consisting in particular of Raymond Bellour, Jean Cayrol, Armand Gatti, Jean-Louis Leutrat, Jean Michaud and Bernard Pingaud, Artsept's mission was to manifest film as the seventh art, embracing all other arts in their discourse. Each issue was dedicated to a specific topic, the first one to "real cinema", the second to "cinema and truth", and the last one to "love".

On the cover of the first issue of Artsept appear the names of Cayrol, Colpi, Durand, Gatti, Marker, Resnais, and Varda. This reads like the "Who's Who" of the Left Bank Group and already indicates a different approach to film than André Bazin's famous Cahiers du Cinéma. Each issue contains a comprehensive filmography and bibliography of the filmmakers who appear as authors or subjects in Arstept.
The remarkable texts from contributors like… Read More

"My Wallet of Photographs: The Collected Photographs of J. M. Synge" arranged and introduced by Lilo Stephens. [Dublin]: Dolmen Editions, 1971. Eleven hundred copies, of which 1050 are for sale, are printed. pp. xvi + 53 b. & w. plates (incl. frontis. tipped in), [7]. Hardcover, quarter black cloth with grey boards, gilt title on spine and gilt initials (J. M. S.) of Synge, on front cover (corners square, slight wear at bottom of spine, covers are unmarked, interior is clean & unmarked). dj., unclipped (a few marks on back cover, spine faded, some wear at top of dustjacket with a tiny tear at top of spine).Very Good+ condition. (Dustjacket is in Very Good condition).Size: 11" x 7 5/8" (28cm x 19.5cm).

New York: Holt Rinehart and Winston, 1970. Stated first editon. Some wear and tear to jacket. About 120 glossy pages with black and white photographs by Marc Riboud, text by Philippe Devillers. Thanks for shopping with us! 100% of your purchase benefits charity and supports literacy and lifelong learning.. First. Cloth. Very Good/Good. Illus. by Riboud, Marc. 4to - over 9¾" - 12" tall.

Göttingen: Steidl. Lrg. 4to. 400pp. prof. illus. color & b&w. 1st Ed. Appendix. Pict. Boards (sm. Nick rear cover, o/w New.Please Note: this book is heavy and may require extra shipping/insurance. Please inquire.

LIMITED EDITION, ONE of 1,500 copies. SIGNED & INSCRIBED by the photographer, Gil Garcetti. NEW and UNREAD.

Lexington, KY: Lexington Camera Club, 1972. First printing. 60 pp., 8.5 x 7.75 inches. Saddle-stapled into printed card covers. Edition of 1000 copies. Light soiling and edge-wear to covers, slight toning to page edges, otherwise fine. The third in a series of exhibitions showcasing work from university and college photography departments across the United States; in this instance, featuring students and faculty from Massachusetts Institute of Technology, University of Illinois, University of Louisville, and University of Nebraska, as well as members of the sponsoring organization, the Lexington Camera Club. Organized and directed by Ralph Eugene Meatyard, and shown at the Speed Museum in Louisville, the exhibition included 240 photographs by 55 photographers, including Reed Estabrook, Art Sinsabaugh, Jonathan Green, Minor White, James Alinder, Guy Mendes, Meatyard, and others. Uncommon.

Tokyo: Asahi Photo Service, 1934. en Francais - Image du Japon Second Edition; 1934. Bilingual English/French book with French translations by Georges Alsot 4to size tan clothbound hardcover with black titles on spine and cover; 292 pages. Endpapers are a two page spread of a red Rising Sun on a light colored background. Most pages are full page black and white photographs, there are some pages where two photographs appear on a single page. The photographs are very high quality reproductions. The photographs are captioned in English and French. The book has no Table of Contents and no text other than the photo captions and Preface. From Preface: "(Our) cameramen are constantly exploring the multi-colored life of the people, and their photographs offer fresh sidelights upon Japanese customers and activities, which will afford Western readers glimpses into an unfamiliar Eastern world... (It shows) something of the recent developments, both social and political, that go to make up modern… Read More